Recreation of Memory:Giant Elephant\'s Ear in the Forest—Artistic Statement by Chiang Yun Jen

• Main Authors: Chiang, Yun-Jen, 江澐溱
• Other Authors: 蕭北辰
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/u4xcxz

碩士 === 臺北市立大學 === 視覺藝術學系 === 107 === The research on the creation of "reproduction of memory" is to make a painting that can combine the emotions in heart with natural scenes. Then, the art work not only can touch the creator but also make people have many resonances; therefore, the greater the resonances have, the broader the impact of the artworks influence. Although Alocasia odora is an inconspicuous plant, it can be seen as an indicator of environmental ecology. It stands tall among the rocks of various forests. Because of the transference, I have strong feelings for Alocasia odora. The purpose of this creation research is to: First, use the ubiquitous Alocasia odora as the creation theme of painting, and show the change of the relationship between things and mind. Second, reorganize the composition of the pictures and emphasize the sustenance of self-emotion throughout the collection and analysis of creative materials. And make a combination with unique scenes to show an interesting narrative. Third, in the process of creation, the choices of techniques change from figurative way to imagery or even the abstract. It’s not just the reproduction of nature. To interpret more emotionally and give more stories by the transformation of skills. The paper includes: The first chapter explains the motivation, purpose and research methods of this creation research. The second chapter includes the analysis of the context of creation and the foundation of academics, and the study of the expressions of relevant artists. The third chapter contains the concept of creation, the relationship between "memory" and " Alocasia odora ". The fourth chapter analyzes the evolution of the work. The final chapter is to review and summarize the research process, and think bout the possible future direction of painting development.