| Summary: | 碩士 === 國立臺南藝術大學 === 民族音樂學研究所 === 107 === The musical morphology of Glove Puppet Theatre is different to others in Taiwanese Traditional Drama Culture owing to the glove puppet theatre companies usually performed music of the most popular musical style from local area. It makes the music element of Glove Puppet Theatre very multiple. When it comes to the time of Japanese Taiwan, the policy ”Jin Gu Yue”(literally “the banning of drum and music) was published during Japanization. It occurred a change that the music ensemble was substituted by recorded music in the music of Glove Puppet Theatre in that period of time. After lifting the policy, 1970s in Taiwan, the most popular TV show “The Great Hero of Yun-zhou: Su Yanwen” produced by Huang Junxiong TV Puppet Troupe contained a variety of music genre. Nowadays, Taiwan imported many kinds of dramas and movies from abroad; the TV Glove Puppet Theatre is the best choice for audiences no longer. Filmmakers of Glove Puppet Theatre try to create a new type of performance with the purpose of attracting young audiences. They added the music formats of film scoring and Japanese anime music to TV Glove Puppet Theatre.
The research is a case study of Kim Kong Gi Kiu Kai, a TV series produced by Kimkom Multimedia International Company Limited from 2014 to 2017. This research tends to understand the principle of Kimkom Multimedia, Huang Likang, how he manage to develop the series based on an original story of his father Huang Junxiong. And how did he establish a new incidental music model of TV Glove Puppet Theatre adjusting from modern musical morphology of film making and Japanese anime scoring.
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