Niccolò Paganini’s violin: the making of 1743 Guarneri def Gesu’s “Il Cannone”
碩士 === 國立臺南藝術大學 === 民族音樂學研究所 === 107 === In the history of violin making, there are three families possess the fames: Amati, Stradivari and Guarneri. Although their violins are different in every detail, they show the quality and aesthetics in both sounds and appearances. By referring the archives a...
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ndltd-TW-107TNCA07500012019-11-15T05:27:11Z http://ndltd.ncl.edu.tw/handle/4363dy Niccolò Paganini’s violin: the making of 1743 Guarneri def Gesu’s “Il Cannone” 尼可羅.帕格尼尼(Niccolò Paganini)的愛琴- 1743年瓜奈里小提琴「加農砲(Il Cannone)」 仿古製作 Wang, Yen-Ting 王彥庭 碩士 國立臺南藝術大學 民族音樂學研究所 107 In the history of violin making, there are three families possess the fames: Amati, Stradivari and Guarneri. Although their violins are different in every detail, they show the quality and aesthetics in both sounds and appearances. By referring the archives and photographs, we are going to recreate a famous violin named “Il Cannone”, which made by Guarneri del Gesu in 1743 and owned by a well-known violinist Niccolò Paganini(1782-1840). We focus on the imitation of plate thickness, the worn-off, patches and varnish instead of its sound quality. In the end, we made a copy of Il Connone, a well-function instrument. Although it is incomparable to the real one, its sound quality is still astonished and breath-taking. It shows the profound design of Guarneri del Gesu, the one of the greatest violin maker of Cremona. Chen, Kuo-Hua 陳國華 2019 學位論文 ; thesis 115 zh-TW |
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碩士 === 國立臺南藝術大學 === 民族音樂學研究所 === 107 === In the history of violin making, there are three families possess the fames: Amati, Stradivari and Guarneri. Although their violins are different in every detail, they show the quality and aesthetics in both sounds and appearances.
By referring the archives and photographs, we are going to recreate a famous violin named “Il Cannone”, which made by Guarneri del Gesu in 1743 and owned by a well-known violinist Niccolò Paganini(1782-1840). We focus on the imitation of plate thickness, the worn-off, patches and varnish instead of its sound quality.
In the end, we made a copy of Il Connone, a well-function instrument. Although it is incomparable to the real one, its sound quality is still astonished and breath-taking. It shows the profound design of Guarneri del Gesu, the one of the greatest violin maker of Cremona.
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author2 |
Chen, Kuo-Hua |
author_facet |
Chen, Kuo-Hua Wang, Yen-Ting 王彥庭 |
author |
Wang, Yen-Ting 王彥庭 |
spellingShingle |
Wang, Yen-Ting 王彥庭 Niccolò Paganini’s violin: the making of 1743 Guarneri def Gesu’s “Il Cannone” |
author_sort |
Wang, Yen-Ting |
title |
Niccolò Paganini’s violin: the making of 1743 Guarneri def Gesu’s “Il Cannone” |
title_short |
Niccolò Paganini’s violin: the making of 1743 Guarneri def Gesu’s “Il Cannone” |
title_full |
Niccolò Paganini’s violin: the making of 1743 Guarneri def Gesu’s “Il Cannone” |
title_fullStr |
Niccolò Paganini’s violin: the making of 1743 Guarneri def Gesu’s “Il Cannone” |
title_full_unstemmed |
Niccolò Paganini’s violin: the making of 1743 Guarneri def Gesu’s “Il Cannone” |
title_sort |
niccolò paganini’s violin: the making of 1743 guarneri def gesu’s “il cannone” |
publishDate |
2019 |
url |
http://ndltd.ncl.edu.tw/handle/4363dy |
work_keys_str_mv |
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