Daily conversation

• Main Authors: 廖乾杉LIAO,CHIEN- SHAN, 廖乾杉
• Other Authors: TUAN,TSUN-CHEN
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/4xgq5w

碩士 === 東海大學 === 美術學系 === 107 === Abstract I had never started to think of creation and "arts" until I entered the Department of Fine Arts, Tunghai University to study in the continuing education bachelor degree program in 2010. Sculpture is not only the creative concept for me, but also my creative skills. I'd like to slowly and gradually enjoy the expectation of the finished work in the process of sculpture. After the death of my father in 2014, I began to sort out the objects collected by my father in the past. I used the objects, so called "garbage" In the past to be my sculpture materials for creation. In these ready-made works, I tried the possibility to create my own sculptures. From 2015 to 2018, I had been dealing with them in my 3 to 4 exhibitions. However, these objects were accumulated by my father, and they have a lot of family emotions after all. The loss of parents and the feelings of those who have passed away always make me sad. After the end of the "yang sheng shu" solo exhibition in 2018, I felt that the creation of these family rem-nants should be finished, and I want to regain the "happiness" from sculpture creation like before, since there is only a sense of "lostness" in the creation of those ready made objects. In the face of the loss of my parents, I began to examine what my life has, is friendship, love, affection...., we are just ordinary human beings, looking around, the sun rises and shines at the table as usual, and the friends around me are not a few more,..... These are my daily life, and my cherished "Daily Treasure". Performance of creation needs to enter consideration of form finally. The enjoyment of sculpturing labor process is just like some people like to exercise in gym. In the face of the daily oblects becoming my creations and the daily emotions become my inner emotions, these are just my little love and murmuring. Most of these works of the daily objects are to create in an enlarged viewpoint. Although these are personal emotions, it is inevitable that they must be in the context of art history, to clarify themselves and to make the definitions of meanings, ....about the background of the works in the age of POP Art, ....about the classic researches of dealing with daily emotions,.... under these researches, I feel myself able to be doing longer, more, and farther... Keywords: the character of labor, the temperature of memory, daily, sculptural