| Summary: | 碩士 === 東海大學 === 美術學系 === 107 === This creation is based on the My review of the life course. However, in the process of examining the self, watching the obsession of the mind leads to the fate of the fate, so I use the various forms of rock as the main elements of this series. Recall the feelings of the mind as an object of creation. The reconstruction of the soul is given through the recollection; it is expressed in the impact of the time and space of nature. And this trace is a memory of life and a proof of existence.
The stones in nature have different shapes. Some of them turn like a fairyland, and the white is round and smooth like a cloud. It is even more like a god. And the singularity of the rock is so beautiful because it has been through centuries, even thousands of years of wind and rain and nature evolved; for mountains and rivers, it is an erosion, but also its life. a state of slowly disappearing. However, memories are not the same for a person’s life! In the journey of the years, people will surely leave traces when they walk, whether it is the external appearance or the inner spiritual level.
The writing of this discourse is divided into five chapters; the first chapter is the motive and purpose of creation, which explains the relationship between the original intention of choosing the theme of creation and the life course of the author. The second chapter is about the creative concept of the work, as the creative element of the image and the author's mental journey, as the self-deconstruction of cognition. The third chapter, through the formal description of the works, is based on the Chinese context and is an in-depth discussion of the concept of self-creation. The fourth chapter is to explain the connotation of the works and the influence of Chinese cultural thoughts. The fifth chapter is the conclusion, which is the influence of the mind and the ultimate income of the process of creation.
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