A Study of Kyosuke Tchinai's Painting:From Classicality to Eccentricity

• Main Authors: WU,CHI-HSUAN, 吳奇軒
• Other Authors: LIU, SU-CHEN
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/pzkyf2

碩士 === 國立臺灣藝術大學 === 書畫藝術學系 === 107 === Inspired by lacquer art techniques, Kyosuke Tchinai （1948—） validated his painting style from the application of acrylic, ink painting and other heterogeneous material since 1982. His themes in “Portrait of Daughter,” “Buddhism,” “Devils’ Kingdom,” “Foreign Culture” associate with classic topics to present “mono-no-aware” in the paintings. The uniqueness of his paintings also rewarded him with excellent performance at Yasui Exhibition, The Eye of Two Ocean – Contemporary Painting Exhibition, Bratislava – World Picture Books and Original Painting Exhibition, as well as other art exhibitions, illustrating the high recognition of Kyosuke Tchinai’s achievement in painting. Chapter 2 analyzes the legacy and innovation of “Miraculous World of Edo Painting” from the Edo Period (1603-1807) through the concept of vertical time perspective, concluding the development overview of Miraculous World of Edo Painting at the time. Contemporary artist Takashi Murakami (1962—) adopted the concept of “Game Painting” for Royal Battle: Japan Art History, by reinterpreting the art works based on well-known works from Miraculous World of Edo Painting and drawing conclusion on the “transformation of aesthetics under changes of time.” Secondly, Chapter 3 analyzes the characteristics of painting elements and forms of presentation through the academic background, painting skills and painting topics of Kyosuke Tchinai at the establishment of initial cognition, with further investigation on the cultural foundation and aesthetics concealed in the paintings by Kyosuke Tchinai. Furthermore in Chapter 4, the author refers to the painting style and presentation as well as