| Summary: | 碩士 === 國立臺灣藝術大學 === 書畫藝術學系 === 107 === The study attempts to transform the humanistic care into the characteristics of ink painting style by the function of art. It reflects the social phenomena seen from the border of the city and reflects the feelings and creative thinking of the inner world. The motive of the research of creation comes from the observation of social environment ecology, the transformation of the image of painting to the existence problem of social edge, and the feedback of the concern to the bottom of society. The theme focuses on "frontier zone" of people, things and things as a reflection, revealing the social edge of the existence of pressure and environmental problems, so as to trigger a sense of common with the viewer, to find the possibility of personal ink painting at this stage.
The first chapter of "Introduction" is the direction of this study, divided into research motives, research purposes, research content and methods, and research scope and limitations. The second chapter is a discussion of the theory, this chapter through the reference art history and sociological literature data to the study of the theme and the concept of creation, and examples and research related art work on the "frontier" work to provide a complete methodological analysis. The fourth chapter is "Analysis of works", which embodies the "imagery of the frontier" on the basis of the aesthetics of ink painting, and this chapter will analyze and collate the research results and the practical part through the way of drawing and writing. The fifth chapter, "Conclusion",narrates the course and retrospect of this study and the prospect and thinking of the future.
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