| Summary: | 碩士 === 國立臺灣藝術大學 === 美術學系 === 107 === This analysis aims to explore a series of transmedia artworks the author has conducted from 2015 to 2019. After casually and intuitively selecting materials from mass culture or art history, the author tries to understand the works that are difficult to interpret from the perspective of glitch.
After the literacy survey concerning glitch in mass culture and art history, the author finds the concept of "flow" which makes glitch depart from mechanical toward social traits. It is confirmed that the glitch is not only a visual vocabulary, but also auditory and ideology. Therefore, the author assumes that the glitch is a "style" breaking both form and content so the artworks are analyzed.
After some sorting, however, it still cannot satisfy the overly emphasized external form in the artworks. As a result, the author adopts Sontag's concept of "stylization" and finds the sensory surface in the artworks close to Camp. The author explores the attempt of his own works from two aspects, discovering a tendency to presuppose being misread by the viewer, and a kind of sensuality to escape judgment.
At last, this analysis summarizes tactics of the glitch practice into a gesture of facing the binary oppositions of cultural phenomena, between kitsch and elegance, between resistance and discipline, etc. The author expects this analysis for giving the author new creative directions in the future.
|
|---|
