Tango or Tangle: A Hybrid Zhuangzi in James Legge’s Words
碩士 === 國立臺灣大學 === 翻譯碩士學位學程 === 107 === James Legge was one of the most influential scholar-translators in the 19th century. His multiple identities as a missionary of London Missionary Society, a translator of voluminous Chinese classics, and the first professor of Chinese in the University of Oxfor...
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ndltd-TW-107NTU055260042019-11-16T05:28:00Z http://ndltd.ncl.edu.tw/handle/7j4723 Tango or Tangle: A Hybrid Zhuangzi in James Legge’s Words 莊周還是「裝」周?--初探理雅各譯筆下紛雜的《莊子》形象 Yen-Chen Hsu 許晏禎 碩士 國立臺灣大學 翻譯碩士學位學程 107 James Legge was one of the most influential scholar-translators in the 19th century. His multiple identities as a missionary of London Missionary Society, a translator of voluminous Chinese classics, and the first professor of Chinese in the University of Oxford greatly influenced how he understood and represented Chinese traditions in his translation. As a missionary, Legge adopted the controversial “accommodating attitude” toward Chinese traditions, believing that the ancient Chinese had known the existence of God. In his translation of the Zhuangzi, one can see frequent intrusion of Legge’s “Christian slips of tongue.” The translation proper and Legge’s annotations to the translated texts form a tangled cosmology of Daoism and Christianity. On the other hand, though a pioneering scholar who studied, translated, and constructed the earliest impression of “Daoism” in the Western world, Legge’s interpretation of the Zhuangzi often seemed rather “Confucian” and deviated from the “natural” way of Zhuangzi. Legge’s translation of the Zhuangzi, entitled “The Writings of Kwang-tze,” was published in 1891, included in The Sacred Books of the East: The Texts of Taoism. The Sacred Books of the East was an important book series for people in the West to get acquainted with Chinese philosophies/religions. The Zhuangzi constructed by Legge can be regarded as one of the earliest impression of the Daoistic text in the Western world. By reading both original and translated texts closely and analyzing how Legge’s theological ideology and Sinological scholarship participated in his translation of the Zhuangzi, this thesis aims to demonstrate the “hybridity” of “The Writings of Kwang-tze” and reflect on the everlasting tricky issue of representing “otherness” in translation. Yiu-Man Ma 馬耀民 2019 學位論文 ; thesis 92 en_US |
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碩士 === 國立臺灣大學 === 翻譯碩士學位學程 === 107 === James Legge was one of the most influential scholar-translators in the 19th century. His multiple identities as a missionary of London Missionary Society, a translator of voluminous Chinese classics, and the first professor of Chinese in the University of Oxford greatly influenced how he understood and represented Chinese traditions in his translation. As a missionary, Legge adopted the controversial “accommodating attitude” toward Chinese traditions, believing that the ancient Chinese had known the existence of God. In his translation of the Zhuangzi, one can see frequent intrusion of Legge’s “Christian slips of tongue.” The translation proper and Legge’s annotations to the translated texts form a tangled cosmology of Daoism and Christianity. On the other hand, though a pioneering scholar who studied, translated, and constructed the earliest impression of “Daoism” in the Western world, Legge’s interpretation of the Zhuangzi often seemed rather “Confucian” and deviated from the “natural” way of Zhuangzi. Legge’s translation of the Zhuangzi, entitled “The Writings of Kwang-tze,” was published in 1891, included in The Sacred Books of the East: The Texts of Taoism. The Sacred Books of the East was an important book series for people in the West to get acquainted with Chinese philosophies/religions. The Zhuangzi constructed by Legge can be regarded as one of the earliest impression of the Daoistic text in the Western world. By reading both original and translated texts closely and analyzing how Legge’s theological ideology and Sinological scholarship participated in his translation of the Zhuangzi, this thesis aims to demonstrate the “hybridity” of “The Writings of Kwang-tze” and reflect on the everlasting tricky issue of representing “otherness” in translation.
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Yiu-Man Ma |
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Yiu-Man Ma Yen-Chen Hsu 許晏禎 |
author |
Yen-Chen Hsu 許晏禎 |
spellingShingle |
Yen-Chen Hsu 許晏禎 Tango or Tangle: A Hybrid Zhuangzi in James Legge’s Words |
author_sort |
Yen-Chen Hsu |
title |
Tango or Tangle: A Hybrid Zhuangzi in James Legge’s Words |
title_short |
Tango or Tangle: A Hybrid Zhuangzi in James Legge’s Words |
title_full |
Tango or Tangle: A Hybrid Zhuangzi in James Legge’s Words |
title_fullStr |
Tango or Tangle: A Hybrid Zhuangzi in James Legge’s Words |
title_full_unstemmed |
Tango or Tangle: A Hybrid Zhuangzi in James Legge’s Words |
title_sort |
tango or tangle: a hybrid zhuangzi in james legge’s words |
publishDate |
2019 |
url |
http://ndltd.ncl.edu.tw/handle/7j4723 |
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