| Summary: | 碩士 === 國立臺灣大學 === 中國文學研究所 === 107 === This article takes Liu Zongyuan''s poem as the main axis of research and pays attention to the two main lines of Liu Shizhong. One is to express the feeling of "lonely solitude" through the landscape, and the other is to "dark and deep taste"; and try to combine the poet''s Confucianism, Buddhism and Taoism to discuss these two The main line of poetry is to explore the relationship between the internal trauma of Liu Zongyuan and the transformation of Buddhism and Taoism, and to discuss the connection between thought and psychology, and how to influence the relationship between poetry expression techniques and emotions.
The first chapter is the research motivation of this paper. It mainly shows that the motivation for the study of the text lies in the following three points. The first is to think about the trauma caused by the loss of the economy and the people, and the influence on the sad style of poetry. It is one of the research motives of this paper. It is hoped that in the perspective of psychoanalysis, how the trauma and idealization affect its poetic style is also the second part of the research motivation. The third is based on the perspective of religious thought, traumatic psychology and religious aesthetics. It discusses the poetry style of Buddhism with the beauty of Buddhism and the characteristics of Liu Shi''s "light and deep". In addition to explaining the research motives, it also lists the literature review related to Liu Zongyuan''s life history, ideological research, and poetry research. The discussion that he wants to carry out is in the style of his poetry, the Confucian feelings and the old Buddha. The poetry aesthetics is discussed in the realm of history and poetry. From the perspective of psychology and ideological aesthetics, it analyzes the two kinds of pulls of Liu''s poem emotional mourning and the lightness of the realm, and discusses the poetic beauty of the psychological transformation and the painful.
The second chapter discusses Liu Zongyuan''s Confucianism, Buddhism and Taoism, and Liu Zongyuan''s Confucianism and Taoism, with moderation as its core. The "Greater Way" is to seek " Suitability ", that is, reasonable and appropriate. As for Liu Zongyuan’s Buddhist thoughts, he is also based on the middle, and it is connected to the Tiantai, Zen, and Pure Land sects, and although it absorbs Zen thoughts, it criticizes the bad atmosphere of madness; and the thick Taoist thoughts are manifested in the natural view of heaven and man. There are also travel notes and poems in the leisure. On the whole, Liu Zongyuan’s Confucianism, Buddhism and Taoism thoughts are based on Confucianism. The Buddhist and Taoist thoughts he absorbed are all under the premise of being able to help the world, and he has achieved a common integration with Confucianism. It not only has cultural inclusiveness, but also has the meaning of actively saving the world and loving the people.
Under the influence of Confucian culture, Liu Zongyuan used Confucianism to "cultivate himself and protect himself" and "inner and outside king" as his life. Therefore, he is based on self-cultivation and constantly pursues good and good morality. This article attempts to combine card. Holly''s theory of self-idealization discusses Liu''s poem, Liu Shizhong has the characteristics of self-idealization. The subject matter includes the beautiful animal self-conditions, the pursuit of sages, the beautification of plants, etc., which project the beauty of their moral talents, but such good internals are not available to the world. It is understood that Liu Shi''s works depicting beautiful things often reveal pity that is not appreciated, just like the poet''s talents and virtues can''t play. However, even if the Confucianism has a good internal essence, it is based on self-cultivation, but it cannot be used to excel people and achieve the cause of the outside king. The goal of respecting the self-cultivation will be defeated, and the root value of the original moral cultivation will be suspected. In short, if Wang can''t accomplish anything, he will doubt the meaning of self-cultivation. The loneliness and anxiety in Liu Zongyuan''s poetry lies in the relationship between him and the human relationship and the external social environment. The loss of the relationship between human beings and the distant movement of the space makes it impossible for the children to contribute to the society and not to achieve great self. The ideal was disappointing. Even as the idea of Confucianism is rooted in the heart, he has not been reused, forming the emotion of the loneliness.
However, in addition to Confucianism, Liu Zongyuan''s thoughts are also integrated with Buddhism and Taoism. Both Buddhism and Taoism have the ontological roots of all things, and the common grounds of both work are introspection and attention to return to the heart. Intrinsic transformation, this kind of self-examination is presented in poetry and will show a simple and simple beauty. Liu Zongyuan absorbed the thoughts of Buddhism and Taoism, and his works in Liu Shizhong''s light and leisurely works are mainly around the Buddhist scriptures, tea Zen, and natural landscapes. These poems show the pure and elegant beauty of Buddhism and Taoism. The author discusses these works of Buddhism and Taoism through two aspects: the relationship between the material and my relationship and the layout of the landscape. The poet is free to coexist harmoniously with the foreign objects, and there is no longer a gap between the landscape and others, so that the true self can be presented. Beyond freedom. As for the spatial layout of the landscape, the composition of Liu''s poem space is quiet, the scene is full of fun, and the movement is quiet and integrated. The picture is dominated by quiet and simple color images, and the layout is more adept at creating images and characters in the air. The unity of the present, in the layout of the air and the integration, highlights the poet''s indifferent state of mind. Therefore, Liu Zongyuan’s poetry is not entirely lamenting the sorrowful style. The works involving Buddhism and Taoism have more sincere inner beauty. After the poet’s sorrow, he intends to sorrow through the Buddha and the old thoughts. The performance is quiet and beautiful.
This article concludes that Liu''s poem has two lines. One is that the light and leisure is a realm of transcendence, which is based on Liu Zongyuan''s thoughts of Buddhism; the second is the deep feelings and sorrows of Liu''s poem attachment, and the deep feelings of sorrow are based on intellectuals. Confucianism is deeply loved. The seemingly contradictory styles of the two, but they can be integrated into the combination of Liu Shizhong and Confucianism, Buddhism and Taoism, so that Liu Zongyuan’s poetry blends the deep feelings of the quiet silence of the birth, even with a hint of melancholy. However, it is not so strong and direct. Instead, it is the struggle and transformation between the transcendence and the dilemma, which makes Liu Shi a faint mourning. Therefore, the emptying of deep feelings under the fusion of Confucianism, Buddhism and Taoism is the most touching feature of Liu''s poem.
Liu''s poem in the context of Confucianism, the deep feelings of joining the world can be inherited from Qu Yuan, presented in the persistence of virtue, but also in the grief for the home country and the pity of their own encounters, Liu Shizhong has a strong sense of home and sentiment, stimulating own last resort. In the context of Buddhism and Taoism, it shows the aesthetic taste of deep and clear. The two kinds of emotions are blended in Liu Shizhong. Although Liu Zongyuan tried to transform the old with Buddhism, Confucianism attaches importance to the establishment of the symbolic system and finds self-consciousness in the normative form. Liu Zongyuan’s life performance is also to build a society of order ethics, so he participates in innovation, and then he Also actively invest in local policies. However, the spiritual thinking of Taoism and Buddhism lies in deconstructing the order world of the people. Liu Zongyuan actively constructs an ethical society by political means, and cannot truly deconstruct the order world he wants to pursue, but under such trauma and transformation, Lay your own style of poetry and irreplaceable features, and write a beautiful and unique page of Tang Dynasty poetry.
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