The Analysis and Conducting Interpretation of Violin Concerto“ The Butterfly Lovers”

碩士 === 國立臺灣師範大學 === 音樂學系 === 107 === The violin concerto "The Butterfly Lovers" combines the western classical music with the Chinese opera as the foundation of its composition. Since the premiere in 1955, the performance has exceeded a thousand, and the performance has spread across the w...

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Bibliographic Details
Main Authors: Chu, Heng-Chih, 朱恆志
Other Authors: Hsu, Ching-Hsin
Format: Others
Language:zh-TW
Published: 2019
Online Access:http://ndltd.ncl.edu.tw/handle/55zuz5
Description
Summary:碩士 === 國立臺灣師範大學 === 音樂學系 === 107 === The violin concerto "The Butterfly Lovers" combines the western classical music with the Chinese opera as the foundation of its composition. Since the premiere in 1955, the performance has exceeded a thousand, and the performance has spread across the world. In the Chinese world, it is a famous song that is widely sung and well known. What is special about such classic masterpieces; what kind of breakthrough innovations in the history of Chinese music; and how to interpret such music that has both Eastern and Western music cultures is an important theme of our discussion. This piece is a new milestone in the symbol of Chinese music. He Zhanhao and Chen Gang succeeded in combining the Chinese music and Western music in this piece include practicing the playing techniques of Chinese musical instruments in Western musical instruments. In the other hand, the breakthrough thing was put the style of Chinese opera into the symphony, been used for explaining the storyline. Therefore, in order to intensively study this piece, we both need research the history about this piece and the contents that been used in this piece. Then, analysing the piece and researching the conducting method which been depend on the interpretation. This paper has five chapters. The researcher will explore this paper through the study of the composers , the analysis and conducting interpretation of this piece, and then combine the former research in the fifth chapter, plus the researcher's personal experiments of rehearsal and performance. Researcher hope that through the information I have compiled, supplemented by my own insights, I will provide a comprehensive academic research material for this piece as a reference.