| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系 === 107 === This thesis explores the contemporary era of peace and prosperity then traces back to nearly a thousand years ago, to the historic period called “Chaos”, This paper discusses the artworks that accompany the feeling of death that influenced by the aesthetic appearance at the time.
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Chapter I - Introduction
Section I : " The Motives for Creativity" describes this troubled chaotic period in the late Northern Song Dynasty, The author was inspired by the imagery of life and death in the aesthetics of that era. Let’s begin with the exploration of the source of creative passion during Emperor Song Huizong's time - the “Nong Fang poem".The author is highly intrigued by the emblem of the personality traits with the two opposite sides of appraisal. The author was inspired by it and strived to combine the beauty of the Chinese calligraphy and the style of floral painting from that ear. Section II:”Purpose of Creation": A detailed application of the author's desire to combine Shou-Jin style calligraphy with modern painting. author tried to create the new style of painting in order to enhance the funeral aesthetics , and to explore the structure of the modern floral paintings . The aesthetics of chaos resonated strongly with the author’s own near death experience and the fear of it.
Chapter II - The Theoretical basis
The theoretical basis of the discussion started with the analysis and discussion on the aesthetics of the Asian perspective of life and death and the beauty of Song Huizong's calligraphy style.
Chapter III - The Aesthetic of Chaos
This chapter discussed the aesthetic of chaos and probed into the death images contained in Nong Fang poems. The author further explored the study of Non-Chaotic aesthetics - Clare Basler’s study provided an oppositional point of view.
Chapter IV - Creative Ideas
The author analyzed the images of life and death and
the composition of the works in the series of Nong Fang poems, color , content as well as the practical and experimental exercises of the commercialization of art. It also included the difficulties encountered in creation, examining the existing discourse and thinking about the problem.
Chapter V - Conclusion
The author summarized the experience of art creation and derived from the study of the artwork, she turned her fear of death into the celebration of life. This chapter summed up the perception of the aesthetics of chaos and the relationship between art and chaos or non-chaos, as well as the direction of the author's future creation
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