Japan in Post-War Taiwanese Cinema

• Main Authors: CHENG,CHAO-TIEN, 鄭兆恬
• Other Authors: Yang,Hu-yuan
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/25bsna

碩士 === 國立高雄師範大學 === 臺灣歷史文化及語言研究所 === 107 === This article explores the transformation of Japanese impressions from the perspective of film. In the article, we first discuss the impression of Japan with the national policy. The diplomatic relations between the two sides will influence the national policy, and re-shaping the Japanese impression of the next generation through the textbook. In terms of national policies, we are always in control of the development of the film. The electric examination law and film counseling have allowed the government to use the film as a powerful propaganda tool. However, with the severance of the law, it has slowly changed, driving the film industry to become more powerful. development of. Therefore, from the drama and documentary, the development of Japanese impressions, through the " Victory" to see the rigid Japanese impression of the period of the martial law, and then by " A Borrowed Life" and " Shonenko" to see the Japanese impression of the conversion of power from the motherland When the people are converted into enemies, the choices and struggles of the people, and the " Viva Tonal " see a positive perspective that is different from the narrative of the past. Finally, from "Cape No.7" and " Wansei Back Home", we will discuss the tolerance of Japan and the feelings like family under the influence of post-war multiculturalism. I hope that by studying the changes in these Japanese impressions, I will find a way to correctly view this history of Japan’s rule over Taiwan.