The Female Image Reflected in the Drama of Gongle Club and Taiwan Society
博士 === 國立高雄師範大學 === 國文學系 === 107 === The Gongzishe Opera Troupe was founded in 1946 in the Yunlin Maifan Arch Palace. The founder Chen Chengsan created a singer-songwriter. The writing of this song sensationalized the whole Taiwan. The arch-religious kingdom spanned the third, fourth and fifties...
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ndltd-TW-107NKNU00450082019-05-16T01:31:56Z http://ndltd.ncl.edu.tw/handle/522g2t The Female Image Reflected in the Drama of Gongle Club and Taiwan Society 拱樂社歌仔戲劇本中反映的女性形象與臺灣社會 TSAI, CHI-CHUNG 蔡啓仲 博士 國立高雄師範大學 國文學系 107 The Gongzishe Opera Troupe was founded in 1946 in the Yunlin Maifan Arch Palace. The founder Chen Chengsan created a singer-songwriter. The writing of this song sensationalized the whole Taiwan. The arch-religious kingdom spanned the third, fourth and fifties of the Republic of China, and wrote the inner Taiwanese opera and movies. The glorious history of Taiwanese opera, writing songs and dramas, recording groups, etc. This thesis studies the Gongle Society from the perspective of the script. It is based on the "Traditional Drama Collection, Songs of the Opera, and the Scripture of the Gongle Society" published by the Art Center. It studies the female image reflected in the script and the Taiwan society. First of all, find out the "drama" related to the dan angle, and list and compare the plots related to the horns in the 86-player script. The so-called "life is like a play, drama is like life", and the appearance of life is explored by the script plot. At that time, the appearance of life in Taiwan society was reflected in the script, and the arch music society used the social situation at that time to attract audiences. Take this research topic. The "Danjiao Women's Image" has the effect of "educationalization" and "exhortation", which affects the "female image of the time". Therefore, it sums up the image of women who represent women at that time and summarizes them into three types of female images: positive Image, strong and sad image, smooth image. These female images also reflect the contradictions of the "Taiwanese society at the time" and reflect the reality of marriage. It also reflects the people's desire to pursue a happy and reunited aesthetic in Pingshun and pursue freedom in peace. HU, LAO-YUNG LIN, MING-TE 許老雍 林明德 2019 學位論文 ; thesis 367 zh-TW |
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博士 === 國立高雄師範大學 === 國文學系 === 107 === The Gongzishe Opera Troupe was founded in 1946 in the Yunlin Maifan Arch Palace. The founder Chen Chengsan created a singer-songwriter. The writing of this song sensationalized the whole Taiwan. The arch-religious kingdom spanned the third, fourth and fifties of the Republic of China, and wrote the inner Taiwanese opera and movies. The glorious history of Taiwanese opera, writing songs and dramas, recording groups, etc. This thesis studies the Gongle Society from the perspective of the script. It is based on the "Traditional Drama Collection, Songs of the Opera, and the Scripture of the Gongle Society" published by the Art Center. It studies the female image reflected in the script and the Taiwan society. First of all, find out the "drama" related to the dan angle, and list and compare the plots related to the horns in the 86-player script. The so-called "life is like a play, drama is like life", and the appearance of life is explored by the script plot. At that time, the appearance of life in Taiwan society was reflected in the script, and the arch music society used the social situation at that time to attract audiences. Take this research topic.
The "Danjiao Women's Image" has the effect of "educationalization" and "exhortation", which affects the "female image of the time". Therefore, it sums up the image of women who represent women at that time and summarizes them into three types of female images: positive Image, strong and sad image, smooth image. These female images also reflect the contradictions of the "Taiwanese society at the time" and reflect the reality of marriage. It also reflects the people's desire to pursue a happy and reunited aesthetic in Pingshun and pursue freedom in peace.
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author2 |
HU, LAO-YUNG |
author_facet |
HU, LAO-YUNG TSAI, CHI-CHUNG 蔡啓仲 |
author |
TSAI, CHI-CHUNG 蔡啓仲 |
spellingShingle |
TSAI, CHI-CHUNG 蔡啓仲 The Female Image Reflected in the Drama of Gongle Club and Taiwan Society |
author_sort |
TSAI, CHI-CHUNG |
title |
The Female Image Reflected in the Drama of Gongle Club and Taiwan Society |
title_short |
The Female Image Reflected in the Drama of Gongle Club and Taiwan Society |
title_full |
The Female Image Reflected in the Drama of Gongle Club and Taiwan Society |
title_fullStr |
The Female Image Reflected in the Drama of Gongle Club and Taiwan Society |
title_full_unstemmed |
The Female Image Reflected in the Drama of Gongle Club and Taiwan Society |
title_sort |
female image reflected in the drama of gongle club and taiwan society |
publishDate |
2019 |
url |
http://ndltd.ncl.edu.tw/handle/522g2t |
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