| Summary: | 碩士 === 國立嘉義大學 === 視覺藝術學系研究所 === 107 === Humanity is an organism which has high intelligence. Much wishful thinking in the past would be realized step by step. Nowadays, we have reached the age of information technology where the industry varies from time to time, constantly pushing out and advancing for improvements in quality of life. However, they have made serious dangers for environment while pursuing their goals. The author thinks himself as a species that has been marooned. In this society with strong pressure, life is similar to eternal recurrence of Zarathustra. It has been aimlessly wandering in the form of Nihilism. For the meaning of life neither completely negate nor affirmatively accept; Contending between positivism and negativism for a long time has slowly derived emotion of misanthropy and has lost ability of good communication with people. Hence, he put his emotions into the scenery, implements, and organism.
The main theme of the study is relative to emotions which were based from the life experiences of the author himself. The purpose is: (A) To trigger Ultimate Concern on the surroundings by transforming them into art creations to reflect on. (B) Based on Document Analysis, explore individual forms of creation and thread of thought. (C) Via analysis and practice of this study, achieve promotion of academic theory and soul of mine.
The article structure of this paper segments into five chapters. Chapter one explains research motion, research purpose, research method, and stages of research. Chapter two is the theoretical foundation which involves exploration and analysis of personal inner emotions and mentation by Nihilism of Nietzsche, and adapts subjectivity in art. Also, it furthers the investigation on Deconstruction and Dadaism, conclude contexts and forms of the artworks. Chapter three discusses the practice of creation that explains the concept of creation and usage of media and skills. Chapter four depends on ecological and social environment that the author has experienced during the creation of the study and carry on interpretation and analysis of the artworks. Chapter five is the conclusion and introspection of the study that combines theory and practices developed in the creation of ceramic sculpture which has unique style of the author. Furthermore, this thesis may serve as reference to other studies in the future.
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