The scenery of inner soliloquy： A Study of Wei-Ting Sheng’s Works

• Main Authors: Sheng,Wei-Ting, 盛微庭
• Other Authors: Chen,Yi-Fan
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/yjrqv2

碩士 === 國立彰化師範大學 === 美術學系 === 107 === Abstract This thesis presents the artworks created between 2015 and 2019, and uses the feelings of the environment around the life, the interaction between the landscape and the inner soliloquy of scenery as the creative motive. These artworks adopt the different carriers of the landscape to create serially, and analyzes the works by writing thesis. Review the creative process and sort out the context to understand the meaning of gazing at the self, and connect the inner mood and outside scenery through the state of life to apply in the artworks.     This thesis is divided into five chapters based on the concept of scenery. It organizes the creations and self in order with each period life state. The first chapter, " The Carrier of the Scenery ", describes the relationship between the origin of creation and its own, trying to project the inner state into the surrounding environment, feeling the pure scenery in the process of personality cultivation, and gradually shaping it in the creation with the inner transformation of different periods. style of. The second chapter, "Woodland", explores the relationship between the content of the work and the landscape. The works are classified in order according to different periods. The content explains the content of the work and corresponds to the current environment and feelings. The third chapter of the " Ephemeral scenery " analysis of the main works of the Institute. Describes the alienation of the external environment from the highway to the street as a creative context. Explore the transformation process from the first chapter to the creation of the chapter and the theme, and then shape the style of self. The fourth chapter of " Journey " discusses the core of creation after clarifying the context of self-creation, and explores the concept and complete concept of the work in the solo exhibition, in order to clarify the overall creative context and feedback. The fifth chapter, "Endless scenery ", is the overall conclusion. It reviews the experience and reflection during the research period, and presents a deeper and broader landscape for future development.