The Formative Context and the Processes of the Construction of the Korean Time-slip Genre

博士 === 國立成功大學 === 台灣文學系 === 107 === Since 2012, Korea has caught up in the trend of Time-slip development in East Asian countries and used the industrialization and institution of drama industry not only to establish Time-slip as a new drama genre but also build up the Third Korean Wave. In this dis...

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Main Authors: Li-ChuanHuang, 黃俐娟
Other Authors: Fang-chih Yang
Format: Others
Language:zh-TW
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/87uqc8
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spelling ndltd-TW-107NCKU56250012019-10-25T05:24:17Z http://ndltd.ncl.edu.tw/handle/87uqc8 The Formative Context and the Processes of the Construction of the Korean Time-slip Genre 韓國穿越劇文類的形成脈絡和建構歷程 Li-ChuanHuang 黃俐娟 博士 國立成功大學 台灣文學系 107 Since 2012, Korea has caught up in the trend of Time-slip development in East Asian countries and used the industrialization and institution of drama industry not only to establish Time-slip as a new drama genre but also build up the Third Korean Wave. In this dissertation, how the Korean Time-slip genre is established in the historical context of East Asian Popular Culture, the production of the Korean drama, the context of the Korean Time-slip, and cross-national audience are discussed by genre theory. The Korean Time-slip genre is the symbol of Korean cultural development strategy - Mix of old and new. In conclusion, the Korean Time-slip, which manifests itself not only as a drama genre but also a trend of economy-oriented cultural trend, is the symbol of Korean cultural development strategy - Mix of old and new - in the light of the social context, production, context, audience reception. Fang-chih Yang 楊芳枝 2018 學位論文 ; thesis 174 zh-TW
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language zh-TW
format Others
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description 博士 === 國立成功大學 === 台灣文學系 === 107 === Since 2012, Korea has caught up in the trend of Time-slip development in East Asian countries and used the industrialization and institution of drama industry not only to establish Time-slip as a new drama genre but also build up the Third Korean Wave. In this dissertation, how the Korean Time-slip genre is established in the historical context of East Asian Popular Culture, the production of the Korean drama, the context of the Korean Time-slip, and cross-national audience are discussed by genre theory. The Korean Time-slip genre is the symbol of Korean cultural development strategy - Mix of old and new. In conclusion, the Korean Time-slip, which manifests itself not only as a drama genre but also a trend of economy-oriented cultural trend, is the symbol of Korean cultural development strategy - Mix of old and new - in the light of the social context, production, context, audience reception.
author2 Fang-chih Yang
author_facet Fang-chih Yang
Li-ChuanHuang
黃俐娟
author Li-ChuanHuang
黃俐娟
spellingShingle Li-ChuanHuang
黃俐娟
The Formative Context and the Processes of the Construction of the Korean Time-slip Genre
author_sort Li-ChuanHuang
title The Formative Context and the Processes of the Construction of the Korean Time-slip Genre
title_short The Formative Context and the Processes of the Construction of the Korean Time-slip Genre
title_full The Formative Context and the Processes of the Construction of the Korean Time-slip Genre
title_fullStr The Formative Context and the Processes of the Construction of the Korean Time-slip Genre
title_full_unstemmed The Formative Context and the Processes of the Construction of the Korean Time-slip Genre
title_sort formative context and the processes of the construction of the korean time-slip genre
publishDate 2018
url http://ndltd.ncl.edu.tw/handle/87uqc8
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