Crossing the Boundary Line of Virtual Reality：A Study of the Light and Shadow Interwoven On the Field of Huang Hsin-Chien\'s Works

• Main Authors: Yi-YenHsieh, 謝宜燕
• Other Authors: Ya-Lun Wang
• Format: Others
• Language: zh-TW
• Published: 2019
• Online Access: http://ndltd.ncl.edu.tw/handle/smm484

碩士 === 國立成功大學 === 藝術研究所 === 107 === Hsin-Chien Huang(1966-) is an artist who has emerged in the field of Contemporary New Media Art in recent years. After winning Grand Prize of New Voices New Visions International Multimedia Competition in the United States in 1994, Laurie with Hsin-Chien won the highest honor at the 74th Best VR Experience Award of Venice Film Festival in 2017, and Hsin-Chien Huang became the representative artist of new media technology in Taiwan. He is good at using the means of device, induction and interactive art to present the concepts of virtual memory, image narration and poetics, transforming the audience's existing vision and perception mode, making the audience be able to achieve an immersive experience in the 3D simulation field space. It is not limited one-way communication anymore at traditional painting, sculpture or audience with works. This study mainly discusses the works of Hsin-Chien Huang with Phenomenology of Perception of body subject by Merleau Ponty. First of all, Construct in the history of his life, Focused on his art career, the researcher tried to understand his experience of childhood memories, growth background, physical and mental translation. Second, in the middle stage, Huang Hsin-Chien think outside the White cube as the turning point, began to shift from visual to exploring the spatial dimension of the field between the body on Mirage Theate in 2012. Finally, further extend the participants' transition from one-way viewing to two-way interaction in La Camera Insabbiata, revealing the reflexive experience of the body in response to the relationship between the artist, the participants themselves, and the space of the work.