| Summary: | 碩士 === 國立政治大學 === 亞太研究英語碩士學位學程(IMAS) === 107 === Puppetry as a political voice has a long history in Asia. From Chinese puppeteers using their craft to satirize local officials and criticize taxation policies to troupes in Taiwan performing clandestine puppet shows in Taiwanese despite Japanese colonialist bans, puppetry has long been a means to express political opinion and to explore cultural identity. As its diplomatic participation in the international community is limited, Taiwan must seek alternative ways to engage with the world stage. The use of cultural diplomacy is a valuable and viable means to communicate, educate and create allies. Through its intrinsic ability to entertain and forge connections, puppetry is a useful form of soft power that can promote Taiwan and its interests. This research demonstrates how Budaixi , or Taiwanese glove puppetry, can be utilized as a tool of cultural diplomacy because of its unique evolution, historical ties and its ability to attract audiences from multiple cultures, classes and age groups. Through literature reviews and in-depth interviews with scholars, puppeteers and Budaixi fans, this research highlights how modern puppet shows are revisioning history and providing an important space for Taiwan to tell its story on its own terms. Puppet shows in Taiwan educate the next generation on the island’s history and evolving culture while contributing to the deepening notions of Taiwanese identity. Contemporary puppet troupes are embracing new technology to broadcast their shows to global audiences, gaining new fans abroad who in turn further widen the audience by sharing their enthusiasm with friends and family. As Taiwan continues to define itself as the heart of Asia, Budaixi symbolizes Taiwan's rich history and its vibrant future. This research asserts the value of Taiwanese glove puppetry and its incredible potential to further broadcast Taiwan’s importance and significance to the greater global audience.
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