Calligraphy study for Historical Monks in China:Based on Jhih Yong Huai Su Han Shan Po Shan Ba Da Shan Ren
博士 === 明道大學 === 中國文學學系博士班 === 107 === Chinese contemporary calligrapher - Mr. Qi Gong has "Hundreds of Quatrains in Qigong", among which the historical monks in China are: Zhiyong, Huaisu, Lushan, Chushan, and Badashan, respectively. Comment on the ways, achievements and influence of their...
Main Authors: | , |
---|---|
Other Authors: | |
Format: | Others |
Language: | zh-TW |
Published: |
2019
|
Online Access: | http://ndltd.ncl.edu.tw/handle/7tx8wz |
id |
ndltd-TW-107MDU00493002 |
---|---|
record_format |
oai_dc |
spelling |
ndltd-TW-107MDU004930022019-08-25T03:36:12Z http://ndltd.ncl.edu.tw/handle/7tx8wz Calligraphy study for Historical Monks in China:Based on Jhih Yong Huai Su Han Shan Po Shan Ba Da Shan Ren 「中國歷代僧人書法」研究 --以智永、懷素、憨山、破山、八大山人為例 FANG,LIEN-CHUAN 方連全 博士 明道大學 中國文學學系博士班 107 Chinese contemporary calligrapher - Mr. Qi Gong has "Hundreds of Quatrains in Qigong", among which the historical monks in China are: Zhiyong, Huaisu, Lushan, Chushan, and Badashan, respectively. Comment on the ways, achievements and influence of their calligraphy. They are both famous calligraphers and monks, and they have their own individuality. Therefore, this article explores the above-mentioned monks. Through the analysis of the content, calligraphy form, calligraphy aesthetics and other aspects of the research object's calligraphy works, combined with the works for case analysis and comparison, trying to explain the characteristics and influences of their calligraphy works. This thesis is divided into six chapters. The first chapter propose ideas based on the backgrounds, motivations, purposes, and methods of the research, as well as expected results. The second chapter describes the history, the achievements and the inheritance of calligraphy and the acceptance of later generations of Zhi Yong's "Zhēn cǎo qiān zì wén". The third chapter searches for the connotation of human, events and objects in Huai Su's "Zìxù tiē", the praise of "Huái sù shàng rén cǎoshū gē", and the evaluation and acceptance of Huaisu's calligraphy.The fourth chapter discusses the differences between the Buddhist background, the calligraphy skill and the Wen Zhengming and Dong Qichang's calligraphy features of Lushan and Poshan. The fifth chapter interprets the formation of the calligraphy style of Badashanren, explains the influence of Badashanren's Zen concept on calligraphy, and discusses the calligraphy language of the Badashanren to apply the concept of Zen to the calligraphy works to the later generations. The sixth chapter concludes that the results of the study are used to check the conformity of the expected results. In the meantime, it is necessary to clarify that Confucius proposed the "Let the will be set on the path of duty. Let every attainment in what is good be firmly grasped. Let perfect virtue be accorded with. Let relaxation and enjoyment be found in the polite arts." The researcher found that these monks are really pushing themselves to the highest realm of life through Tao. Keywords : Zhi Yong, Huaisu, Hanshan, Poshan, Badashanren, compare zen to calligraphy, integrate zen into calligraphy CHEN ,WEI- DE 陳維德 2019 學位論文 ; thesis 230 zh-TW |
collection |
NDLTD |
language |
zh-TW |
format |
Others
|
sources |
NDLTD |
description |
博士 === 明道大學 === 中國文學學系博士班 === 107 === Chinese contemporary calligrapher - Mr. Qi Gong has "Hundreds of Quatrains in Qigong", among which the historical monks in China are: Zhiyong, Huaisu, Lushan, Chushan, and Badashan, respectively. Comment on the ways, achievements and influence of their calligraphy. They are both famous calligraphers and monks, and they have their own individuality. Therefore, this article explores the above-mentioned monks. Through the analysis of the content, calligraphy form, calligraphy aesthetics and other aspects of the research object's calligraphy works, combined with the works for case analysis and comparison, trying to explain the characteristics and influences of their calligraphy works.
This thesis is divided into six chapters. The first chapter propose ideas based on the backgrounds, motivations, purposes, and methods of the research, as well as expected results. The second chapter describes the history, the achievements and the inheritance of calligraphy and the acceptance of later generations of Zhi Yong's "Zhēn cǎo qiān zì wén". The third chapter searches for the connotation of human, events and objects in Huai Su's "Zìxù tiē", the praise of "Huái sù shàng rén cǎoshū gē", and the evaluation and acceptance of Huaisu's calligraphy.The fourth chapter discusses the differences between the Buddhist background, the calligraphy skill and the Wen Zhengming and Dong Qichang's calligraphy features of Lushan and Poshan. The fifth chapter interprets the formation of the calligraphy style of Badashanren, explains the influence of Badashanren's Zen concept on calligraphy, and discusses the calligraphy language of the Badashanren to apply the concept of Zen to the calligraphy works to the later generations. The sixth chapter concludes that the results of the study are used to check the conformity of the expected results. In the meantime, it is necessary to clarify that Confucius proposed the "Let the will be set on the path of duty. Let every attainment in what is good be firmly grasped. Let perfect virtue be accorded with. Let relaxation and enjoyment be found in the polite arts." The researcher found that these monks are really pushing themselves to the highest realm of life through Tao.
Keywords : Zhi Yong, Huaisu, Hanshan, Poshan, Badashanren, compare zen to calligraphy, integrate zen into calligraphy
|
author2 |
CHEN ,WEI- DE |
author_facet |
CHEN ,WEI- DE FANG,LIEN-CHUAN 方連全 |
author |
FANG,LIEN-CHUAN 方連全 |
spellingShingle |
FANG,LIEN-CHUAN 方連全 Calligraphy study for Historical Monks in China:Based on Jhih Yong Huai Su Han Shan Po Shan Ba Da Shan Ren |
author_sort |
FANG,LIEN-CHUAN |
title |
Calligraphy study for Historical Monks in China:Based on Jhih Yong Huai Su Han Shan Po Shan Ba Da Shan Ren |
title_short |
Calligraphy study for Historical Monks in China:Based on Jhih Yong Huai Su Han Shan Po Shan Ba Da Shan Ren |
title_full |
Calligraphy study for Historical Monks in China:Based on Jhih Yong Huai Su Han Shan Po Shan Ba Da Shan Ren |
title_fullStr |
Calligraphy study for Historical Monks in China:Based on Jhih Yong Huai Su Han Shan Po Shan Ba Da Shan Ren |
title_full_unstemmed |
Calligraphy study for Historical Monks in China:Based on Jhih Yong Huai Su Han Shan Po Shan Ba Da Shan Ren |
title_sort |
calligraphy study for historical monks in china:based on jhih yong huai su han shan po shan ba da shan ren |
publishDate |
2019 |
url |
http://ndltd.ncl.edu.tw/handle/7tx8wz |
work_keys_str_mv |
AT fanglienchuan calligraphystudyforhistoricalmonksinchinabasedonjhihyonghuaisuhanshanposhanbadashanren AT fāngliánquán calligraphystudyforhistoricalmonksinchinabasedonjhihyonghuaisuhanshanposhanbadashanren AT fanglienchuan zhōngguólìdàisēngrénshūfǎyánjiūyǐzhìyǒnghuáisùhānshānpòshānbādàshānrénwèilì AT fāngliánquán zhōngguólìdàisēngrénshūfǎyánjiūyǐzhìyǒnghuáisùhānshānpòshānbādàshānrénwèilì |
_version_ |
1719236927919489024 |