Craft Design Pavilion of National Taiwan Craft Research and Development Institute

• Main Authors: Meng-Chia Li, 李孟佳
• Other Authors: Chin- Jung Chiang
• Format: Others
• Language: zh-TW
• Published: 2018
• Online Access: http://ndltd.ncl.edu.tw/handle/7j84j7

碩士 === 台南應用科技大學 === 室內設計系碩士班 === 106 === Abstract The creative base is located at National Taiwan Craft Research and Development Institute and its surrounding area. It is located in Caotun Township where the straw sandals mound was originated. According to Caotun Township Records, Caotun was a staging post for pioneers, porters, merchants and travelers, and they arrived at it at sunset, and in early morning they started off and replaced their old straw sandals with new ones. Days after days, the abandoned straw sandals stacked up into a mound”. Thus, it is called Caotun which means straw in Chinese. Now new meanings are given to straw. In the past, we often considered straw as a static object, but it was used as a life tool in ancient times. Now, it is an element of the place, which can be used to build a space and symbolizes culture. Thus, we should activate straw. We should not see straw as a straw. We should think how to activate the village through straw. This is to pursue genius of regional space. The creation work integrates the base with National Taiwan Craft Research and Development Institute into new spatial order and new place through analysis of landscape, ecology, culture, and application of weaved structure in the traditional construction of central regions so as realize creation objective by using creation approaches at different stages. The creation work is intended to find the memory space and memory fragments in life. The space can be used for leisure, exhibition, sales and service. The hydroponic technology is used for mutualistic symbiosis between fish and water, and rice is grown indoors, and weaved straws structure is integrated into life design. All these are started from our familiar scenes. The place is only memory fragments, which should be integrated into human and time and reshape space and time spirits to break established concept. The interior design is to retain previous building memory and combine it with the new memory fragments to make a dialogue between them and make space life sustainable. Keywords: Memory, place, weaving, reproduction, transformation, order