Memory- in between Fragments and Repetitions

碩士 === 台南應用科技大學 === 美術系碩士班 === 106 === In the process to create art we often get lost. It seems like we have some knowledge about ourselves, but truth is, we don’t. This paper focuses on the Black on Black series. The Black on Black series uses printmaking techniques to print photographs on black pa...

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Main Authors: Pei-Hsuan Wu, 吳佩璇
Other Authors: Hong- Wen Lin
Format: Others
Language:zh-TW
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/sxaw5j
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spelling ndltd-TW-106TWCA52330122019-05-16T01:16:35Z http://ndltd.ncl.edu.tw/handle/sxaw5j Memory- in between Fragments and Repetitions 記憶- 片段與反覆之間 Pei-Hsuan Wu 吳佩璇 碩士 台南應用科技大學 美術系碩士班 106 In the process to create art we often get lost. It seems like we have some knowledge about ourselves, but truth is, we don’t. This paper focuses on the Black on Black series. The Black on Black series uses printmaking techniques to print photographs on black paper. These artworks tell the story of the contradiction of mental and physical, the repetition and complexity of printmaking, and how the printing process affect me, the artist. The prints question the authenticity of photos: what it real? Is it our memories or is it photography? This article records how I try to clarify it. It will be divided into seven chapters for illustration: I. Introduction II. “Like a spiritual medium, dive into their eyes”: The struggle III. Photography is an extension of desire: An exploration of image memory IV. Outside the Frame: Analyzing Images and the Self V. Unreal memories: Discussing photography and reality VI. Practice: Analysis of repeated actions Hong- Wen Lin 林鴻文 2018 學位論文 ; thesis 57 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 台南應用科技大學 === 美術系碩士班 === 106 === In the process to create art we often get lost. It seems like we have some knowledge about ourselves, but truth is, we don’t. This paper focuses on the Black on Black series. The Black on Black series uses printmaking techniques to print photographs on black paper. These artworks tell the story of the contradiction of mental and physical, the repetition and complexity of printmaking, and how the printing process affect me, the artist. The prints question the authenticity of photos: what it real? Is it our memories or is it photography? This article records how I try to clarify it. It will be divided into seven chapters for illustration: I. Introduction II. “Like a spiritual medium, dive into their eyes”: The struggle III. Photography is an extension of desire: An exploration of image memory IV. Outside the Frame: Analyzing Images and the Self V. Unreal memories: Discussing photography and reality VI. Practice: Analysis of repeated actions
author2 Hong- Wen Lin
author_facet Hong- Wen Lin
Pei-Hsuan Wu
吳佩璇
author Pei-Hsuan Wu
吳佩璇
spellingShingle Pei-Hsuan Wu
吳佩璇
Memory- in between Fragments and Repetitions
author_sort Pei-Hsuan Wu
title Memory- in between Fragments and Repetitions
title_short Memory- in between Fragments and Repetitions
title_full Memory- in between Fragments and Repetitions
title_fullStr Memory- in between Fragments and Repetitions
title_full_unstemmed Memory- in between Fragments and Repetitions
title_sort memory- in between fragments and repetitions
publishDate 2018
url http://ndltd.ncl.edu.tw/handle/sxaw5j
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