Image‧Truth

• Main Authors: Duan,Da-Zhong, 段大中
• Other Authors: Tsai,Huai-Kuo
• Format: Others
• Language: zh-TW
• Published: 2018
• Online Access: http://ndltd.ncl.edu.tw/handle/27c76b

碩士 === 國立臺北藝術大學 === 美術學系碩士在職專班 === 106 === Abstract Image, Truth, Reversal and Variety thinking is the main study of this thesis, It is used as the point of intervention on development of contemporary ink painting works. Through the mode of starting from transfer thinking, and the deconstruction conversion of post-modern difference concept, In the living between heaven and earth life insights, And the experience of the external environment, the reflection of thinner human philosophy and religious state of mind, it breaks the habitual thinking of the painters. My intention was to try to seek possible new development from the inherent painting, Or in a critical sprit, corresponding to a new direction, paving it toward the contemporary art new realm. And trough the results show my mind of study and exploration. I have created my own artistic image and truth painting style. In the process of this research I started in the world of natural and cultural areas of concern, with exploring the developments of Chinese and Western arts. The study of the previous Chinese painting, Western painting, design, photography research experience, melt each other, to trace the footprints “Image, Truth , Reversal, Variety ”in the traditional ink painting, to seek for the continuation of new source of innovative ideas for the contemporary painting art. This context consists of the development of “Yin and yang concept“ in fine arts the theoretical construction, and the development of its aesthetic system. I sorted out the works of painting art in the past, at the same time comparing the concept of painting between the yin and yang element in the western painting as my theoretical base. I attempted to trace the original art of image and truth painting then used “symbol, yin yang, becoming, image” as the intervention and extension. Supplemented by post-modern discourse and the neo-colonial orientalism in the situation of being in Taiwan, searching for the spiritual pursuit on future development for the image and truth art. To face the reality to practice the ideal attitude, in contrast to echo, natural ablation in the development of new style of the image works, as a form of evident for this theoretical study. I also categorized and analyzed works while emphasizing the image painting connection between contemporary and traditional paintings. So that it cauld further highlight the unique cultural identity of East contemporary art, as well as its concepts and spiritual values