| Summary: | 碩士 === 國立臺北藝術大學 === 美術學系碩(博)士班 === 106 === Employing Pointlessness and Meaninglessness as the main axis of creation and further elaborating on its connotations.
A long time is dedicated to brood on the use of citations. Although it is evident that employments as such are for the sake of broadening the scope or enhancing the arguments presented, but this is not an academic writing. It is more akin to a biography, and due to the subject of discourse being one’s self, thus no matter the method employed, it is susceptible to engendering a monologue. Keywords form a part of the structure for ease of searching and categorizing, but because this writing is more of a personal narrative, I would like to avoid definition by way of keywords, yet with how much of a formal necessity it is, this writing will settle with employing a more objective categorization upon itself.
Self awareness as I know has many different facets. Be it nihilism or other modes of philosophy, it cannot represent me in my entirety, nor can it represent all the connotations within this creative process . Even now as I am writing this biography, I am only able to explain it in terms of the present me, keywords but tools for ease of understanding and classifying, as such a simple way of understanding is not what I wish for.
The first chapter begins with personal experience, describing how initial training had affected the current core topics of the creative process. The second chapter further describes how these central ideas are presented in the artwork. The third chapter focuses on my reflection on my current situation. In the final chapter, I draw comparisons between myself and art of the past.
In order to highlight the subjectivity of the creative process, this writing will be employing a first-person narrative while describing the line of thought behind it.
Keyword：Lost meaning、Conceptual art、Minimal art
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