| Summary: | 博士 === 國立臺南藝術大學 === 藝術創作理論研究所博士班 === 106 === Tsai Ming-Liang has used Lee Kang-Sheng as an actor for more than 27 years. This director has long focused on the same figure. However, most research focuses on the “image” and fails to examine the relations between the “figure and face.” The author assumes that the appearance of the facial image of Tsai Ming-Liang is closely related to the strength of the structural subject of the Other. In addition, the psychoanalysis theory of Lacan was used to consider how the two systems of the actor’s body and the image language connect and operate. What is the constant driving force behind Tsai Ming-Liang’s creative works? If human being’s destiny is as stated by Lacan, that “everyone arrives in the Real through the Other,” and the necessary mirror stage is again a machine for the production of a separated self, then, what is the method that establishes Tsai Ming-Liang’s subject structure in his works?
To answer these questions, the following aspects are examined. First, whether Tsai Ming-Liang’s images belong to the category of“realism” or“traumatic realism,” this orientation has led to the initiation of the differentiation between“real” and the concept of “the Real.” Second, distinguish between the habitual visual field that was formed with the adoption of Deleuze’s image discussion from psychoanalysis theory when evaluating Tsai Ming-Liang’s images. Third, describe the dynamic field of Tsai Ming-Liang’s creative situation that is formed by trauma, Das Ding , the Other, and desire. Fourth, refine the significance of the“repeated” phenomenon in his creative works. Fifth, define the method of Tsai Ming-Liang’s successful shooting of the image of“Das Ding” of the Real.
On this slow and long-running road of image works, the long-term cooperative actor Lee Kang-Sheng is an important key factor that cannot be overlooked. Through the observation of Tsai Ming-Liang’s creative process, this article sums up the conclusion that images are identical to mirror images and equivalent to intersubjectivity manifestations.
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