| Summary: | 碩士 === 國立臺南藝術大學 === 建築藝術研究所 === 106 === When I saw the endless sea, I thought I had seen the sea in the lotus honeymoon, also watched the sea in Tainan, also seen the sea in Kaohsiung seaside, also looked at the sea in Keelung, also seen the sea in the East Harbor, Also looked at the sea in Kenting sea, I see are still the same piece of the sea, as if I can not leave the sea, how to see it or it, the sea is more than the land to the vast, accounting for 70.8% of the Earth's surface area, or even There is a saying that the origin of life is in the ocean, that the ocean is not always recorded all the origin of human ancient memories, it is a personal memory, that all the memory of civilization, to face such a huge presence, but it Is a kind of obedience to all the necessary type of presence, the waves kept beating the shore, but also with the shore of the type of non-stop changes, only in that moment between the memory of the existence of the next second But also to eliminate the type, I also try to make their own memories, into the sea, that cool feeling should be my most direct feeling, there is an indescribable force to push me, but I still can not think That is more than I have ever existed, in such a way to obey everything, almost no form it can not be attached, and the coast of the stone is the existence of seed gap type, it is only by the sea attached to the A type of it, it is also kept filling it, showing the existence of such a type, almost a closest shape is not with the elephant, and when we think about the building, I think it is like a sea, try to include Everything, with the human nature dictates, or let the human nature with the building dictates, how to shape the shape can not be shaped, but also by my follow, the building to me to say is God card, has been my type Forming, such as sea water has been repeatedly beat the deepest idea, as for the fish is the water is its architecture is also a moment it can not leave the existence of when there is no building we can not survive, everything back to how The creation of buildings, and hovering in the building, more like a kind of can not escape the fate of the way, has been constantly thinking about what construction or architecture, that hidden in the building, such as the sea Can not really be seen through why, always let people more direct contact, if a murder in the home, although not photographed the body or room, but the photo presented in the home, in fact, even more than the body feel Uneasy and tragic, I am pursuing is that uneasy and tragic, beyond the real existence, a closer to the imagination of the space, or that occurred in the sea can not let people know, if I looked at the sea tight sea Holding hands, it should be remembered can not tell but deep presence.
|
|---|
