The factors that make up the gradient path directionality and sense of speed

碩士 === 國立臺北科技大學 === 工業設計系創新設計碩士班 === 106 === Gradual design refers to arranging the same or similar shapes in a planned manner so as to produce continuous and regular changes. The intense and detailed visual expressions ingeniously convey visual interest. Whether the effect produced by the use of th...

Full description

Bibliographic Details
Main Authors: Chiung-Yi Yu, 游瓊怡
Other Authors: Jui-Wen Peng
Format: Others
Language:zh-TW
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/47tpb5
Description
Summary:碩士 === 國立臺北科技大學 === 工業設計系創新設計碩士班 === 106 === Gradual design refers to arranging the same or similar shapes in a planned manner so as to produce continuous and regular changes. The intense and detailed visual expressions ingeniously convey visual interest. Whether the effect produced by the use of this method in the design can be effectively communicated, can make viewers pay attention and be curious. This study investigates whether the gradient path will give people different degrees of experience under different rules. The gradient path was paired with alignment, spacing, shape and size differences, and shape appearance differences, resulting in 155 sets of gradient paths. In the experiment, the subjects were following the gradient path laid out in the screen, matched with the questionnaire, and answered according to the obtained feeling. The results show: The gradient path has a significant difference based on the sense of speed at both ends as the size, the pattern and the number of intervals between the graphs change. Therefore, these factors are important factors in the sense of speed of the gradient path and that there is no significant differences between the different alignments. We can determine that the alignment does not affect its sense of speed for the observation line. The directionality of the gradient path is significantly different from the size change, the change mode, the number of intervals and the alignment of the graphics at both ends and takes the change in size as the main criterion. However, there is no significant difference in the judgment of directionality. Therefore, it can be explained that the change in the size of the observation object, the change in pattern of the observation line, the number of intervals, and the alignment method affect the presence or absence of the directionality and that there is no influence on the judgment of the left and right directions.