Protection of the boundaries of digital cross-platform era of parody
碩士 === 世新大學 === 智慧財產權研究所(含碩專班) === 106 === Due to the increasing number of Internet service providers and data services, many of the works have not been as difficult as ever to get. The video& music platform industry, resulting in many parody works. Taiwan's law on digital convergence and m...
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ndltd-TW-106SHU007690052019-05-16T00:08:20Z http://ndltd.ncl.edu.tw/handle/yyt696 Protection of the boundaries of digital cross-platform era of parody 詼諧仿作於數位化跨平台時代之保護界線 CHANG,YUAN-PO 張遠博 碩士 世新大學 智慧財產權研究所(含碩專班) 106 Due to the increasing number of Internet service providers and data services, many of the works have not been as difficult as ever to get. The video& music platform industry, resulting in many parody works. Taiwan's law on digital convergence and medias are totally change in the hardware and content, between the interests of the OTT owner and the copyright owner, not only by the government unilaterally OTT legislation, and the need for practical market transactions to monitor the flow of funds. By discussing the parody works often appearing on the video websites, it is concluded that the fair use of the copyright in the new era of the Internet can still be handled with the provisions of Article 52 and 65 of the Copyright Law. As well as digital content to Copyright Collective Management Organization, and create a database and authorize the works from the platform. With reference to the digital markets in various countries, it is also the focus of discussions on such issues as the licensing of authorizations and orphan works as well as the relevant licensing mechanisms. TSAI, BO-YU 蔡鎛宇 2018 學位論文 ; thesis 246 zh-TW |
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Others
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碩士 === 世新大學 === 智慧財產權研究所(含碩專班) === 106 === Due to the increasing number of Internet service providers and data services, many of the works have not been as difficult as ever to get.
The video& music platform industry, resulting in many parody works.
Taiwan's law on digital convergence and medias are totally change in the hardware and content, between the interests of the OTT owner and the copyright owner, not only by the government unilaterally OTT legislation, and the need for practical market transactions to monitor the flow of funds.
By discussing the parody works often appearing on the video websites, it is concluded that the fair use of the copyright in the new era of the Internet can still be handled with the provisions of Article 52 and 65 of the Copyright Law.
As well as digital content to Copyright Collective Management Organization, and create a database and authorize the works from the platform.
With reference to the digital markets in various countries, it is also the focus of discussions on such issues as the licensing of authorizations and orphan works as well as the relevant licensing mechanisms.
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author2 |
TSAI, BO-YU |
author_facet |
TSAI, BO-YU CHANG,YUAN-PO 張遠博 |
author |
CHANG,YUAN-PO 張遠博 |
spellingShingle |
CHANG,YUAN-PO 張遠博 Protection of the boundaries of digital cross-platform era of parody |
author_sort |
CHANG,YUAN-PO |
title |
Protection of the boundaries of digital cross-platform era of parody |
title_short |
Protection of the boundaries of digital cross-platform era of parody |
title_full |
Protection of the boundaries of digital cross-platform era of parody |
title_fullStr |
Protection of the boundaries of digital cross-platform era of parody |
title_full_unstemmed |
Protection of the boundaries of digital cross-platform era of parody |
title_sort |
protection of the boundaries of digital cross-platform era of parody |
publishDate |
2018 |
url |
http://ndltd.ncl.edu.tw/handle/yyt696 |
work_keys_str_mv |
AT changyuanpo protectionoftheboundariesofdigitalcrossplatformeraofparody AT zhāngyuǎnbó protectionoftheboundariesofdigitalcrossplatformeraofparody AT changyuanpo huīxiéfǎngzuòyúshùwèihuàkuàpíngtáishídàizhībǎohùjièxiàn AT zhāngyuǎnbó huīxiéfǎngzuòyúshùwèihuàkuàpíngtáishídàizhībǎohùjièxiàn |
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