The Analysis and Interpertation of “Temporal Variations” for Oboe and Piano by Benjamin
碩士 === 東吳大學 === 音樂學系 === 106 === The theme to be discussed in this paper is Benjamin Britten Temporal Variations. The composition was written in 1936, was commissioned by the South African pianist, Adolph Hallis. Hallis wanted Britten to compose a set of variations for oboe and piano to be performe...
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ndltd-TW-106SCU002480092019-05-16T00:37:22Z http://ndltd.ncl.edu.tw/handle/3afeph The Analysis and Interpertation of “Temporal Variations” for Oboe and Piano by Benjamin 探討班傑明.布瑞頓《速度變奏曲》詮釋與分析 LAI, SI-YU 賴思妤 碩士 東吳大學 音樂學系 106 The theme to be discussed in this paper is Benjamin Britten Temporal Variations. The composition was written in 1936, was commissioned by the South African pianist, Adolph Hallis. Hallis wanted Britten to compose a set of variations for oboe and piano to be performed at one of his series of concerts. After Britten Completed this Temporal variation , he dedicated this composition to author Montagu Slater, a colleague of Britten. In this composition, Britten veriaty the motive C-sharp to D to complete the theme and eight variation The first chapter is an introduction. The second chapter is a introduce s of Britten’s life and his musical language. The third chapter is focuses on the historical background of the Tempoal Variation. The fourth chapter analysis the Temporal Variation. The fifth chapter is the music analysis and performance interpretation. Finall chapter is conclusion of previous discussions. TSAI, CHAI-HSUAN 蔡采璇 2018 學位論文 ; thesis 71 zh-TW |
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碩士 === 東吳大學 === 音樂學系 === 106 === The theme to be discussed in this paper is Benjamin Britten Temporal Variations. The composition was written in 1936, was commissioned by the South African pianist, Adolph Hallis. Hallis wanted Britten to compose a set of variations for oboe and piano to be performed at one of his series of concerts. After Britten Completed this Temporal variation , he dedicated this composition to author Montagu Slater, a colleague of Britten. In this composition, Britten veriaty the motive C-sharp to D to complete the theme and eight variation
The first chapter is an introduction. The second chapter is a introduce s of Britten’s life and his musical language. The third chapter is focuses on the historical background of the Tempoal Variation. The fourth chapter analysis the Temporal Variation. The fifth chapter is the music analysis and performance interpretation. Finall chapter is conclusion of previous discussions.
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author2 |
TSAI, CHAI-HSUAN |
author_facet |
TSAI, CHAI-HSUAN LAI, SI-YU 賴思妤 |
author |
LAI, SI-YU 賴思妤 |
spellingShingle |
LAI, SI-YU 賴思妤 The Analysis and Interpertation of “Temporal Variations” for Oboe and Piano by Benjamin |
author_sort |
LAI, SI-YU |
title |
The Analysis and Interpertation of “Temporal Variations” for Oboe and Piano by Benjamin |
title_short |
The Analysis and Interpertation of “Temporal Variations” for Oboe and Piano by Benjamin |
title_full |
The Analysis and Interpertation of “Temporal Variations” for Oboe and Piano by Benjamin |
title_fullStr |
The Analysis and Interpertation of “Temporal Variations” for Oboe and Piano by Benjamin |
title_full_unstemmed |
The Analysis and Interpertation of “Temporal Variations” for Oboe and Piano by Benjamin |
title_sort |
analysis and interpertation of “temporal variations” for oboe and piano by benjamin |
publishDate |
2018 |
url |
http://ndltd.ncl.edu.tw/handle/3afeph |
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