| Summary: | 碩士 === 中國文化大學 === 中國音樂學系 === 106 === There are variety of percussion instrument. Nowadays, the performing art of percussion instrument has become a media and material for cross-domain, and it is also an obvious trend. The match of eastern and western percussion has also created plentiful of new musical vocabulary, and it is continuously develop in contemporary musical composition. My thesis will be focus on the ‘manifestation element’ in theater style musical composition through Graffitis (Georges Aperghis) and Encounter (Lo-Lung Wang).
My thesis will be divided into introduction, three chapter and conclusion. My research motive, method, details and document review are included in the introduction. The first chapter will be focus on the research of ‘manifestation element’. The second and third chapter will be the analysis and annotation of Graffitis and Encounter. These chapters also including the introduction of composer and significance of the musical composition. The conclusion will be the last chapter.
By analyzing the structure of the this two composition, I’m going to investigate and find out the theater style composing and the usage of ‘manifestation element’ in this two music pieces, and this will help me to master them. Sincerely hope that this research could be a reference for academic and performer in future.
Key word：Graffitis; Georges Aperghis; Encounter;Lo-Lung Wang; percussion ; theater style musical composition; ‘manifestation element’.
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