Deforming extended body through expression of wood carving
碩士 === 國立臺灣藝術大學 === 雕塑學系 === 106 === ABE Nyubo is creating wood sculpture since 2007, focusing on deform of extending body. In this monograph, author describe study of wood carving sculpture’s technic and history. In addition, set on similar type of wood carving sculptor history at similar era in Ta...
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ndltd-TW-106NTUA08160122019-05-16T00:37:20Z http://ndltd.ncl.edu.tw/handle/jgq4rq Deforming extended body through expression of wood carving 以木雕表現的變態身體 ABE TOMOKAZU 阿部知和 碩士 國立臺灣藝術大學 雕塑學系 106 ABE Nyubo is creating wood sculpture since 2007, focusing on deform of extending body. In this monograph, author describe study of wood carving sculpture’s technic and history. In addition, set on similar type of wood carving sculptor history at similar era in Taiwan and Japan can also help to deeper this study. In the first chapter, we will describe the background and methodology of this research. About the possibility and potential of contemporary wood carving, examples works from some famous artists and interview from JIANG, MENG-SI and OBATA TAKU will be used. In the second chapter, author will state by digging into his background from sub-culture and mythological perspective. Also, study on “death” and history of human creating humanoid sculpture from an immunological point of view. At chapter three, author will state through work of JIANG, MENG-SI, OBATA TAKU and sub-cultural mythological perspective. Author will focus on deformation sculpture and here gave new name “HENTAI Sculpture“. At chapter four, author will introduce his recent works, style, process and describe the current arts of long arms by subculture and mythological perspective. As a conclusion, author will state the possibility of human body, deformation of figurative sculpture and diversity, based on the discussion in this paper. LAI, YUN-HSING 賴永興 2018 學位論文 ; thesis 54 zh-TW |
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碩士 === 國立臺灣藝術大學 === 雕塑學系 === 106 === ABE Nyubo is creating wood sculpture since 2007, focusing on deform of extending body. In this monograph, author describe study of wood carving sculpture’s technic and history. In addition, set on similar type of wood carving sculptor history at similar era in Taiwan and Japan can also help to deeper this study.
In the first chapter, we will describe the background and methodology of this research. About the possibility and potential of contemporary wood carving, examples works from some famous artists and interview from JIANG, MENG-SI and OBATA TAKU will be used.
In the second chapter, author will state by digging into his background from sub-culture and mythological perspective. Also, study on “death” and history of human creating humanoid sculpture from an immunological point of view.
At chapter three, author will state through work of JIANG, MENG-SI, OBATA TAKU and sub-cultural mythological perspective. Author will focus on deformation sculpture and here gave new name “HENTAI Sculpture“.
At chapter four, author will introduce his recent works, style, process and describe the current arts of long arms by subculture and mythological perspective.
As a conclusion, author will state the possibility of human body, deformation of figurative sculpture and diversity, based on the discussion in this paper.
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author2 |
LAI, YUN-HSING |
author_facet |
LAI, YUN-HSING ABE TOMOKAZU 阿部知和 |
author |
ABE TOMOKAZU 阿部知和 |
spellingShingle |
ABE TOMOKAZU 阿部知和 Deforming extended body through expression of wood carving |
author_sort |
ABE TOMOKAZU |
title |
Deforming extended body through expression of wood carving |
title_short |
Deforming extended body through expression of wood carving |
title_full |
Deforming extended body through expression of wood carving |
title_fullStr |
Deforming extended body through expression of wood carving |
title_full_unstemmed |
Deforming extended body through expression of wood carving |
title_sort |
deforming extended body through expression of wood carving |
publishDate |
2018 |
url |
http://ndltd.ncl.edu.tw/handle/jgq4rq |
work_keys_str_mv |
AT abetomokazu deformingextendedbodythroughexpressionofwoodcarving AT ābùzhīhé deformingextendedbodythroughexpressionofwoodcarving AT abetomokazu yǐmùdiāobiǎoxiàndebiàntàishēntǐ AT ābùzhīhé yǐmùdiāobiǎoxiàndebiàntàishēntǐ |
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1719168058031865856 |