| Summary: | 碩士 === 國立臺灣藝術大學 === 戲劇學系表演藝術碩士班 === 106 === The musical Notre Dame De Paris, which is an adaption from the French writer Victor Hugo9, has been translated into various languages and toured around the world its debut in 1998. The musical has improved its character for role play. Nevertheless, its fame and well-known all of the world, its performing styles and the ways of its presentations, on the other hand, remain questioned. This leads us to unsolved questions: are the actors of musical arts essential in this musical production? If so, what aesthetic impact they might cause? And finally what range for those character?
Through the 1999 DVD version would be the main cause to analysis. Trying to use semiotics to analyze each character in this musical. With results of such comparisons and discussions, this study suggest that factors of arts are essential in the musical Notre Dame De Paris, moreover, in a process of a musical production, the character should be regarded seriously and developed continually.
Keywords: the musical Notre Dame De Paris, Semiology
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