The Analysis and the Interpretation of Johannes Brahms Violin Sonata No. 1 in G Major, Opus 78

碩士 === 國立臺灣師範大學 === 表演藝術研究所 === 106 === Johannes Brahms (1833-1897), a 19th century German Romantic composer, inherited compositional styles from the Baroque and Classical periods, and combined them with Romantic poetic lyricism. It not only developed a new direction in classical music, but also sho...

Full description

Bibliographic Details
Main Authors: Lin, Ching-Chia, 林敬珈
Other Authors: Lee, Yen-I
Format: Others
Language:zh-TW
Online Access:http://ndltd.ncl.edu.tw/handle/329292
Description
Summary:碩士 === 國立臺灣師範大學 === 表演藝術研究所 === 106 === Johannes Brahms (1833-1897), a 19th century German Romantic composer, inherited compositional styles from the Baroque and Classical periods, and combined them with Romantic poetic lyricism. It not only developed a new direction in classical music, but also showed and established his unique style. Violin Sonata “Regenlied” No. 1 in G major, Opus 78, written in 1879, which quotes his songs “Regenlied” and “Nachklang.” Brahms wrote this sonata to mourn the death of his godson, Felix Schumann (1854-1879). The piece contains three movements: Vivace ma non troppo, composed in sonata form; Adagio, with a funeral march in the middle of the movement; and Allegro molto moderato, composed in rondo form. This paper has five chapters. The first chapter is an introduction and overview of motivation and purpose from writer, then introduces methods and scope of research. Chapter two presents Johannes Brahms's life, style of composition, his masterpieces and background of Opus 78. The third and fourth chapters provide musical analysis and the piano interpretation between violin and piano parts. The fifth chapter is a conclusion.