張炫文、施福珍與簡上仁的福佬系兒歌之比較研究

• Main Authors: Chien, Yin-Chu, 簡吟竹
• Other Authors: Shiu, Ruei-Kuen
• Format: Others
• Language: zh-TW
• Published: 2018
• Online Access: http://ndltd.ncl.edu.tw/handle/urdku8

碩士 === 國立臺灣師範大學 === 音樂學系 === 106 === This study analyzes, compares and explores the similarities and differences of the musical structures and lyric characteristics of the Holo children’s songs created by three composers -- Chang Hsuan-wen, Shih Fu-chen, and Chien Shang-jen. Hopefully, the results obtained in this study will be useful to future researchers. This thesis is divided into six chapters. Chapter One, Introduction, mainly explains the reasons for the research, its subjects, scope, methods and objectives, and discusses similar studies conducted previously. Chapters Two, Three, and Four introduce the music career of these three composers, the developmental processes of their music composition and song writing, and the Holo Children’s songs they have composed. Chapter Five makes an in-depth analysis and comparison of ten representative children’s songs composed by each of them from the perspectives of melody and lyric characteristics. In the last chapter, the research process is reviewed, research achievements are presented, and suggestions are offered to relevant researches in the future. This study has found that these three musicians – Chang hsuan-wen, Shih Fu-chen, and Chien Shang-jen – are all diligent learners and enthusiastic music practitioners. Although having grown up in different environments, each of them has received at least a master’s degree. In their childhood, they enjoyed similar experiences of Taiwanese folk art as well as folklore. These experiences helped them form the idea of creating children’s songs for kids with passion and meanwhile strive to put this notion into action. Although the number of Holo children’s songs by Chang hsuan-wen is comparatively small, he demonstrates mature composition skills and applies these skills remarkably. However, some of Chang hsuan-wen’s works are less suitable for kids. The words of Chang’s songs are mostly written by others. Of the three, Shih Fu-chen has composed the largest number of Holo children’s songs. He considers it important that melody should be as smooth as talking. Most of Shih’s songs are created specifically for kids and are deeply loved by them. The Holo children’s songs by Chien Shang-jen are similarly large in number. Besides emphasizing that a tune should be in harmony with a lyric tone, Chien has been making great efforts to pass down native music of Taiwan to future generations. In addition to Kung(宮) and Yu(羽) modes, he has also composed children’s songs in Zhi(徵) mode. In short, the Holo children’s songs created by these three musicians have been beneficial and have made a valuable contribution to children’s music education, the fields of arts and humanities, as well as native language teaching.