Swaying flowers and Dancing butterflies-The Discourse of Image Creation in Ink and Gouache Paintings by Wang， Mei- Mei
碩士 === 國立臺灣師範大學 === 美術學系 === 106 === The artist's creative ideas often come from all directions， so it's no wonder that the beauty of nature is an object that artists often draw from. Among nature's scenes， the most gorgeous， colorful flowers and butterflies are often used as objects...
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| Format: | Others |
| Language: | zh-TW |
| Online Access: | http://ndltd.ncl.edu.tw/handle/yq22nf |
| Summary: | 碩士 === 國立臺灣師範大學 === 美術學系 === 106 === The artist's creative ideas often come from all directions， so it's no wonder that the beauty of nature is an object that artists often draw from. Among nature's scenes， the most gorgeous， colorful flowers and butterflies are often used as objects drawn from the arts of classical， modern literature， drama， etc.， and they are often used as metaphors for interdependent relationships. The creation of the study to "Swaying flowers and Dancing butterflies." as the theme， the content of the creation of nature in the" Flowers "and" Butterflies"as a range， the creation of materials will be the actual visit to nature， photography， painting， reading and imagination as a supplement， composition， based on fuzzy beauty， real scenery is secondary. My creative inspiration comes from the advantages of Chinese and Western artists who are good at painting flowers and butterflies， as well as materials such as rotating paintings and freehand drawings， and material techniques used by the author to appreciate the creations of nature ("Flowers" and "Butterflies" )， in the time when it was hoped that the artwork would arouse the viewer's resonance， thereby stimulating the beauty's emotions and the power of life. This thesis will be studied from the perspective of literature， semiotics and art history (Chinese painting theory and western aesthetics). The basic structure of this paper is as follows:
The first chapter is "introduction": It will explain the motivation and purpose of individual research， the scope of research， the research methods and procedures， and the interpretation of terms. The second Chapter discussed the creation doctrine by exploring the flower and butterfly in Western painting theory and literary imagery and symbol expert Ferdinand de Saussure， Peirce Charles Sanders and Roland Barthes Gérard definition of image symbol and thus derived from the flower and butterfly symbolic meaning. In the third Chapter， exploring the eastern and western paintings of flowers and butterfly painters in artistic expression， thought that inspired the creation of the individual and to increase the richness of creativity and diversity. The fourth chapter discusses the creation ideas and works of the creation series of "Birth，" "Dream and Hibernation，" "Transmutation and Growth，" and "Flower and Butterfly." In the Chapter fifth， Conclusions and future prospects: discussing about my research and creative process shall be improvements， and my vision for the future to the "traditional" and "modern" art， as well as between the east and the west to strike a balance between artistic and thereby create compelling and moving works.
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