Image Construction and Its Cultural Interpretation in Poster Design

博士 === 國立臺灣師範大學 === 美術學系 === 106 === This thesis originates from considering that the form of poster design should correspond with time changes, and aims at seeking for the entire solving solution for revealing, communication and value transmission after the messages and visual design are evaluated...

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Main Authors: Lin, Wei-Yu, 林維俞
Other Authors: Lin, Pang-Soong
Format: Others
Language:zh-TW
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/gs5udz
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spelling ndltd-TW-106NTNU52330142019-05-16T00:15:35Z http://ndltd.ncl.edu.tw/handle/gs5udz Image Construction and Its Cultural Interpretation in Poster Design 海報創作之文化圖像建構與詮釋 Lin, Wei-Yu 林維俞 博士 國立臺灣師範大學 美術學系 106 This thesis originates from considering that the form of poster design should correspond with time changes, and aims at seeking for the entire solving solution for revealing, communication and value transmission after the messages and visual design are evaluated and arranged. The method of the poster design is based on the foundation of Jean Baudrillard’s simulation theory and cultural image construction discourse, and the topics of the posters are divided into five types which are extension activities of literature, extension activities of environmental protection, extension activities of ecological conservation, extension activities of art exhibition and extension activities of floral design. The information about the poster series would be elaborated according to different media, technique modes and methods and using situation of time and background in the thesis, and would present significant findings and perspectives to conduct the context research and interpret the cultural images. The outcome of the posters reveals the integrated application techniques of augmented reality and virtual reality, of which concept are built upon the static images of poster design constructed by digital media. From selecting the activity issues, the whole thesis presents that the creation and research process could be regarded as a real activity of the reconstruction of virtuality, and also a “simulation” interpretation from symbols to cultural images, after the qualitative description for the expressing of ideas, the composition of the images and the meaning of pictorial symbols. The discussion after the creation process emphasizes on how to represent the core concept into more diverse facets and even become the appearance that has been consumed; while selecting the topics, the observation of the social incidents, affective comprehension, creation process and mind organization should be initially and systematically developed. The role media play in corresponding to the contemporary vocabularies relates to how the “simulation” forms, so the creators should possess the ability to self-examine and critique when facing media information. Lin, Pang-Soong 林磐聳 2018 學位論文 ; thesis 94 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 博士 === 國立臺灣師範大學 === 美術學系 === 106 === This thesis originates from considering that the form of poster design should correspond with time changes, and aims at seeking for the entire solving solution for revealing, communication and value transmission after the messages and visual design are evaluated and arranged. The method of the poster design is based on the foundation of Jean Baudrillard’s simulation theory and cultural image construction discourse, and the topics of the posters are divided into five types which are extension activities of literature, extension activities of environmental protection, extension activities of ecological conservation, extension activities of art exhibition and extension activities of floral design. The information about the poster series would be elaborated according to different media, technique modes and methods and using situation of time and background in the thesis, and would present significant findings and perspectives to conduct the context research and interpret the cultural images. The outcome of the posters reveals the integrated application techniques of augmented reality and virtual reality, of which concept are built upon the static images of poster design constructed by digital media. From selecting the activity issues, the whole thesis presents that the creation and research process could be regarded as a real activity of the reconstruction of virtuality, and also a “simulation” interpretation from symbols to cultural images, after the qualitative description for the expressing of ideas, the composition of the images and the meaning of pictorial symbols. The discussion after the creation process emphasizes on how to represent the core concept into more diverse facets and even become the appearance that has been consumed; while selecting the topics, the observation of the social incidents, affective comprehension, creation process and mind organization should be initially and systematically developed. The role media play in corresponding to the contemporary vocabularies relates to how the “simulation” forms, so the creators should possess the ability to self-examine and critique when facing media information.
author2 Lin, Pang-Soong
author_facet Lin, Pang-Soong
Lin, Wei-Yu
林維俞
author Lin, Wei-Yu
林維俞
spellingShingle Lin, Wei-Yu
林維俞
Image Construction and Its Cultural Interpretation in Poster Design
author_sort Lin, Wei-Yu
title Image Construction and Its Cultural Interpretation in Poster Design
title_short Image Construction and Its Cultural Interpretation in Poster Design
title_full Image Construction and Its Cultural Interpretation in Poster Design
title_fullStr Image Construction and Its Cultural Interpretation in Poster Design
title_full_unstemmed Image Construction and Its Cultural Interpretation in Poster Design
title_sort image construction and its cultural interpretation in poster design
publishDate 2018
url http://ndltd.ncl.edu.tw/handle/gs5udz
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