| Summary: | 碩士 === 國立臺中教育大學 === 美術學系碩士在職專班 === 106 === ABSTRACT
The discourse of “Image Creation Drawing Inspiration from Rudolf Steiner’s Anthroposophy” is based on the authors’ personal image creation and color characteristics and the Waldorf School’s practical experience. Goethe and Rudolf Steiner’s theory of colours was applied for literary compilation, with an attempt to incorporate it into paintings. With the anthroposophy-oriented concept, the connection among man, nature and the mystery of the universe was explored. At the same time, through the research and application of colors and mediums, personal image creation characteristics were developed.
The discourse of the artistic creation covers works created from 2011 to 2013. Chapter one is the introduction, defines the study’s motivation and purpose, method and process, and terms and definition. The second chapter deals with the theoretical foundation and theme for creation, Rudolf Steiner’s anthropology studies as well as Rudolf Steiner and Goethe’s color theory literatures related to the authors’ own image creation were discussed. Based on the concept of creation and the expression of forms and techniques involved, Chapter 3 elaborates on the personal creative ideas through Rudolf Steiner’s aesthetic ideas; Chapter 4 covers work appreciation, from the perspectives of rhythm of life, celebration, the Four Temperaments and other elements; Chapter 5 draws conclusions, specifically the research purposes and future prospects.
It is anticipated that the context portrayed will enable authors to gain an insight into color nature and self-awareness, letting them naturally perceive the beauty of the implicit spiritual tendencies and presents them to the world, thereby enriching people’s spiritual life.
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