A Study of Paul Hindemith Trauermusik

碩士 === 國立中山大學 === 音樂學系研究所 === 106 === As one of the most important composers of the 20th century, Paul Hindemith has a strong interest in early music. The idea of combining elements from the early music with modern tonal language and compositional techniques is in Hindemith’s works. Trauermusik, bel...

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Main Authors: Yi-Ching Liao, 廖依靜
Other Authors: Chuang, Meng- Hsun
Format: Others
Language:zh-TW
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/k6t6sq
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spelling ndltd-TW-106NSYS52480082019-10-31T05:22:28Z http://ndltd.ncl.edu.tw/handle/k6t6sq A Study of Paul Hindemith Trauermusik 亨德密特《葬禮音樂》之研究 Yi-Ching Liao 廖依靜 碩士 國立中山大學 音樂學系研究所 106 As one of the most important composers of the 20th century, Paul Hindemith has a strong interest in early music. The idea of combining elements from the early music with modern tonal language and compositional techniques is in Hindemith’s works. Trauermusik, belongs to Hindemith’s late period, was composed in 1936. In this piece, Hindemith combines elements and compositional techniques from his Symphony and Concerto with the Bach’s chorale, Baroque’ s church sonata and cyclic form. In this piece, the influence of Gebrauchsmusik and through the familiar elements to narrow the gap between the audience. This essay consists of four chapters, an introduction, and the conclusion. The first chapter introduces Hindemith’s life. The second chapter explores the Hindemith’s composition style. The third chapter presents the compositional background of the Trauermusik and analysis. The fourth chapter presents the interpretation of the Trauermusik. Chuang, Meng- Hsun 莊孟勳 2018 學位論文 ; thesis 61 zh-TW
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description 碩士 === 國立中山大學 === 音樂學系研究所 === 106 === As one of the most important composers of the 20th century, Paul Hindemith has a strong interest in early music. The idea of combining elements from the early music with modern tonal language and compositional techniques is in Hindemith’s works. Trauermusik, belongs to Hindemith’s late period, was composed in 1936. In this piece, Hindemith combines elements and compositional techniques from his Symphony and Concerto with the Bach’s chorale, Baroque’ s church sonata and cyclic form. In this piece, the influence of Gebrauchsmusik and through the familiar elements to narrow the gap between the audience. This essay consists of four chapters, an introduction, and the conclusion. The first chapter introduces Hindemith’s life. The second chapter explores the Hindemith’s composition style. The third chapter presents the compositional background of the Trauermusik and analysis. The fourth chapter presents the interpretation of the Trauermusik.
author2 Chuang, Meng- Hsun
author_facet Chuang, Meng- Hsun
Yi-Ching Liao
廖依靜
author Yi-Ching Liao
廖依靜
spellingShingle Yi-Ching Liao
廖依靜
A Study of Paul Hindemith Trauermusik
author_sort Yi-Ching Liao
title A Study of Paul Hindemith Trauermusik
title_short A Study of Paul Hindemith Trauermusik
title_full A Study of Paul Hindemith Trauermusik
title_fullStr A Study of Paul Hindemith Trauermusik
title_full_unstemmed A Study of Paul Hindemith Trauermusik
title_sort study of paul hindemith trauermusik
publishDate 2018
url http://ndltd.ncl.edu.tw/handle/k6t6sq
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