E. Grieg《 19 Norwegian Folk Tunes, Op.66》

碩士 === 國立中山大學 === 音樂學系研究所 === 106 === Edvard Grieg (1843-1907) is the most representative Norwegian musician in the nineteenth century. He is also an important advocator of Norwegian folk music. He is not only good at using music to portray Norwegian native scene but also combine the local culture t...

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Main Authors: Yu-Chieh Kuo, 郭妤婕
Other Authors: Mei-Wen Lee
Format: Others
Language:zh-TW
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/37p779
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spelling ndltd-TW-106NSYS52480042019-05-16T00:30:05Z http://ndltd.ncl.edu.tw/handle/37p779 E. Grieg《 19 Norwegian Folk Tunes, Op.66》 葛利格《十九首挪威民謠,作品六十六》 Yu-Chieh Kuo 郭妤婕 碩士 國立中山大學 音樂學系研究所 106 Edvard Grieg (1843-1907) is the most representative Norwegian musician in the nineteenth century. He is also an important advocator of Norwegian folk music. He is not only good at using music to portray Norwegian native scene but also combine the local culture to create unique music color and style of the Norway. 《19 Norwegian Folk Tunes, Op. 66》is composed in Grieg’s late year. He used Norwegian folk songs collected by Frants Beyer and added harmonies to recomposed these works. These songs are closely related to Norwegian life. Using music to express the beautiful nature landscape in Norway, rural life scene, fairy tale and legendary stories. There are three parts in this study. The first part aims on the material of Norwegian ethnic in Grieg’s works. The second part seeks to clarify the style of Grieg’s work in detail. By observing the elements of his works’ Norwegian ethnic, it shows that the works retaining the traditional German writing skills Grieg learned early, thus forming a style that is uniquely his own. The third part focus on the historical background and writing technique of《19 Norwegian Folk Tunes, Op. 66》. Finally, a summary is given. Mei-Wen Lee 李美文 2018 學位論文 ; thesis 60 zh-TW
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description 碩士 === 國立中山大學 === 音樂學系研究所 === 106 === Edvard Grieg (1843-1907) is the most representative Norwegian musician in the nineteenth century. He is also an important advocator of Norwegian folk music. He is not only good at using music to portray Norwegian native scene but also combine the local culture to create unique music color and style of the Norway. 《19 Norwegian Folk Tunes, Op. 66》is composed in Grieg’s late year. He used Norwegian folk songs collected by Frants Beyer and added harmonies to recomposed these works. These songs are closely related to Norwegian life. Using music to express the beautiful nature landscape in Norway, rural life scene, fairy tale and legendary stories. There are three parts in this study. The first part aims on the material of Norwegian ethnic in Grieg’s works. The second part seeks to clarify the style of Grieg’s work in detail. By observing the elements of his works’ Norwegian ethnic, it shows that the works retaining the traditional German writing skills Grieg learned early, thus forming a style that is uniquely his own. The third part focus on the historical background and writing technique of《19 Norwegian Folk Tunes, Op. 66》. Finally, a summary is given.
author2 Mei-Wen Lee
author_facet Mei-Wen Lee
Yu-Chieh Kuo
郭妤婕
author Yu-Chieh Kuo
郭妤婕
spellingShingle Yu-Chieh Kuo
郭妤婕
E. Grieg《 19 Norwegian Folk Tunes, Op.66》
author_sort Yu-Chieh Kuo
title E. Grieg《 19 Norwegian Folk Tunes, Op.66》
title_short E. Grieg《 19 Norwegian Folk Tunes, Op.66》
title_full E. Grieg《 19 Norwegian Folk Tunes, Op.66》
title_fullStr E. Grieg《 19 Norwegian Folk Tunes, Op.66》
title_full_unstemmed E. Grieg《 19 Norwegian Folk Tunes, Op.66》
title_sort e. grieg《 19 norwegian folk tunes, op.66》
publishDate 2018
url http://ndltd.ncl.edu.tw/handle/37p779
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