| Summary: | 博士 === 國立高雄師範大學 === 國文學系 === 106 === This thesis purposes to explore the artistic expression and aesthetics ofthe aesthetic implication of Yang-Jiang's prose. The value of literature lies in the writer's real emotional and personal thinking structure, creating a literary work with a unique artistic style, and allowing people to feel the multi-level feelings of the times, heart, knowledge, life experience and external situation through words. And then it can produce resonance and aesthetic awareness. This thesis takes Yang-Jiang's (1911-2016) prose as the main research object. She was a scholar, writer and translator. She experienced the Xinhai Revolution of 1911, the May Fourth Movement, the Japanese invasion of China, and the Cultural Revolution. She maintained the integrity of intellectuals and the spirit of traditional Confucianism centered on "benevolence" duringthose turbulent periods. The political storm that happened duringthe first half of Yang-Jiang’s life made her literary works diversified withdeep implications in artistic performance.Yang-Jiang's writing was a process from spontaneous to conscious to introspection. Through the external environment (time, environment, economy) to inner feelings (emotion, knowledge, experience), internal and external shocks directly affected the writer's created works in appearance and stylistic features, which makesthe reader feel and then resonate. Among Yang-Jiang's 85prose writings, academia has most often researched and discussed“Cadre School Life Six Chapters” and “We Three”. And the writing style consistentlywas categorized asdiscussing the restoration of historical truth, profound description and sincere personality. However, the overall value of her literary works lies in its aesthetic implication and artistic style. The inner implication of the works is an important core of aesthetics, and its writing style is an artistic realm for appreciating articles.Research of Yang-Jiang's prose has only produceda few academic theses in Taiwan and mainland China, and there isalmost no comprehensiveresearch of the aesthetic implication of Yang-Jiang's prose. Therefore, this thesis carries out acomprehensive discussion ofthe aesthetic implications of Yang-Jiang's prose works. This study first explores Yang-Jiang's life experience, and then discusses the cultural causes of creation. Focus on the inner implication of prose, the artistic value of art, and the style of writing arethe main axes of this study. In Yang-Jiang's prose, the inner value of implication carriesthroughout the complete study. I hope that consecutive study on Yang-Jiang's prose can be helpful.
|
|---|
