| Summary: | 碩士 === 國立彰化師範大學 === 美術學系 === 106 === For creators, the "perceived" experience is precious and enhancing this ability can help to keen understand the changes and fluctuations in the environment and help to circulate to the body and then convey it out to the works in the most accurate terms. Feeling the "subject" and the been received "outside world" in events, both parties fluctuate according to each observation position. This article takes "I" as the object of observation, observes my own perception experience, and then I study through the process of each works reflecting ideas, desires, physical instincts, action drives ..... and so on, continue to repeatedly exchange and update between absorption and experience, until the perceived events of the "Subject" and "Object" boundaries gradually melt away.
The first chapter tells being in dreamlands triggered individual existence doubts. The second chapter carries out an academic analysis on feelings of environment round about and on consciousnesses according to the concern points of artists and of psychological analysis. If the position of "I" appears when facing perceived experience, the "I" must divide with the outside world split into two, cut off the intricate symbiotic relationships between self and the environment, neglect the personal awareness of the close infiltration with the outside world, and easily rely on actual objects and explicit behaviors to prove their own existence. Once the "I" am out of logic, disorder or encounter trauma, the "I" fall into the corner. Therefore, the perceptual information that the inner world sprang from all directions should be viewed as one two sides to the overall consciousness.
The third chapter expounds the creative context and concepts of my own in order to explore the immensity dimension space of consciousness in actual works, and the works gradually shift from plane to space device. The fourth chapter makes staged conclusions based on the creative context, being noticed that there are many experiences and network of relationships hidden in the bottom of consciousness which accumulates from the existence instinct of life long ago and the habits of ethnic groups. Under the synchronous development of works should I continue to cultivate my own perceiving efforts, and understanding the unknown and the changes in the depths of consciousness is the "fountainhead" of people's inspiration and these "wealth" are held altogether by the whole environment beyond the predictions of intelligence and physical ability. Every moment of inadvertent and of subconsciousness in daily life exerts great impact and influence on the creators, and the works' creativity process once again returns to the inner perceptual roots after through the space device.
The fifth chapter is a personal exhibition in December 2017, showing the development experience so far. Last, the chapter Six includes the overall harvest of the full text, discovering and perceiving the attitude of existence, being alone in an ever-changing environment, again and again in observation and in practicing inclined to self and free self.
Keywords: Perception, Consciousness, Existence, Inner Tactility, Space-time Dimension, Dreamland
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