Rural Imagery and Environmental Aesthetics in Rural Wall Painting
碩士 === 國立勤益科技大學 === 景觀設計系 === 106 === Color painting is animmediate and economical approach to the environment enhancement. In the past decade or so, under the promotion of relevant government programs and the media reporting effect, many rural areas in Taiwan have successively used color painting f...
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ndltd-TW-106NCIT53660012019-07-04T05:59:50Z http://ndltd.ncl.edu.tw/handle/7m4rjw Rural Imagery and Environmental Aesthetics in Rural Wall Painting 民眾對農村牆面彩繪之農村意象與環境美質認知研究 Yen-Chean Chiu 邱延貞 碩士 國立勤益科技大學 景觀設計系 106 Color painting is animmediate and economical approach to the environment enhancement. In the past decade or so, under the promotion of relevant government programs and the media reporting effect, many rural areas in Taiwan have successively used color painting for the environmental transformation. Although painting has made many communities burst into tourist spots, it has also caused many criticisms. For example, the content of paintings deviates from the characteristics of the community, neglects local culture, and lacks environmental aesthetic thinking.Thus, the main purpose of this study is to explore the impact of rural wall painting on rural imagery and environmental aesthetics, and to use the photo assessment method to investigate the views of the public. This study concludes that Taiwan's rural painting style can be roughly divided into 4 types: "3D interactive painting", "original illustration painting", "cartoon animation painting" and "rural landscape painting". The photos are extensively taken in thepainted villages ofthe middle and south of Taiwan. Eventually, 32 official measurement photos are selected (8 for each type of painting). In order to compare the public's cognition of the presence or absence of painting, and to explore the influence of background environment and painted patterns on rural imagery and environmental quality, each painted wall photo is restored to a "paintless wall" photo and divided into "background environment" and "painted pattern". Our research targets at the public by the method of conventional questionnaire and online questionnaire,which amounts to476 valid questionnaires. The result mainly shows: (1) Most of subjects consider that the paintless rural walls have more rural imagery, while the painted walls present higher environmental quality. (2) If the photos of paintless walls consist of higher proportion of landscape elements, such as red bricks and agricultural equipment, the cognition of rural imagery canpossiblyraise; whereas the iron plate, cement and artificial facilitiescan reducethe subject’s cognitionof rural imagery and environmental aesthetic perception. (3) Increasing the blending of painted patterns with surrounding environment, the rural imagery of painted patterns and background environment, and the interaction between patterns and viewers, can relatively enhance the subject's cognition of rural imagery with painted walls. (4) The subject's perception of aesthetic quality on painted wallscorrelates with factors such as the blending of painted patternswith surrounding environment, the quality of painted patterns and background environment, the preference of painted theme, and the painted creativity.(5) Among various painting styles, "rural landscape painting" can both display rural imagery and environmental quality, while "cartoon animation painting" tends to exhibitlow rural imagery and environmental quality. (6) The gender, age, occupation, education level, professional background, and timeperiod living in the countryside of the subjects have significant differences in rural imagery cognition and environmental aesthetic perception of painted walls. Shu-Chen Chang 張淑貞 2018 學位論文 ; thesis 128 zh-TW |
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碩士 === 國立勤益科技大學 === 景觀設計系 === 106 === Color painting is animmediate and economical approach to the environment enhancement. In the past decade or so, under the promotion of relevant government programs and the media reporting effect, many rural areas in Taiwan have successively used color painting for the environmental transformation. Although painting has made many communities burst into tourist spots, it has also caused many criticisms. For example, the content of paintings deviates from the characteristics of the community, neglects local culture, and lacks environmental aesthetic thinking.Thus, the main purpose of this study is to explore the impact of rural wall painting on rural imagery and environmental aesthetics, and to use the photo assessment method to investigate the views of the public. This study concludes that Taiwan's rural painting style can be roughly divided into 4 types: "3D interactive painting", "original illustration painting", "cartoon animation painting" and "rural landscape painting". The photos are extensively taken in thepainted villages ofthe middle and south of Taiwan. Eventually, 32 official measurement photos are selected (8 for each type of painting). In order to compare the public's cognition of the presence or absence of painting, and to explore the influence of background environment and painted patterns on rural imagery and environmental quality, each painted wall photo is restored to a "paintless wall" photo and divided into "background environment" and "painted pattern". Our research targets at the public by the method of conventional questionnaire and online questionnaire,which amounts to476 valid questionnaires.
The result mainly shows: (1) Most of subjects consider that the paintless rural walls have more rural imagery, while the painted walls present higher environmental quality. (2) If the photos of paintless walls consist of higher proportion of landscape elements, such as red bricks and agricultural equipment, the cognition of rural imagery canpossiblyraise; whereas the iron plate, cement and artificial facilitiescan reducethe subject’s cognitionof rural imagery and environmental aesthetic perception. (3) Increasing the blending of painted patterns with surrounding environment, the rural imagery of painted patterns and background environment, and the interaction between patterns and viewers, can relatively enhance the subject's cognition of rural imagery with painted walls. (4) The subject's perception of aesthetic quality on painted wallscorrelates with factors such as the blending of painted patternswith surrounding environment, the quality of painted patterns and background environment, the preference of painted theme, and the painted creativity.(5) Among various painting styles, "rural landscape painting" can both display rural imagery and environmental quality, while "cartoon animation painting" tends to exhibitlow rural imagery and environmental quality. (6) The gender, age, occupation, education level, professional background, and timeperiod living in the countryside of the subjects have significant differences in rural imagery cognition and environmental aesthetic perception of painted walls.
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author2 |
Shu-Chen Chang |
author_facet |
Shu-Chen Chang Yen-Chean Chiu 邱延貞 |
author |
Yen-Chean Chiu 邱延貞 |
spellingShingle |
Yen-Chean Chiu 邱延貞 Rural Imagery and Environmental Aesthetics in Rural Wall Painting |
author_sort |
Yen-Chean Chiu |
title |
Rural Imagery and Environmental Aesthetics in Rural Wall Painting |
title_short |
Rural Imagery and Environmental Aesthetics in Rural Wall Painting |
title_full |
Rural Imagery and Environmental Aesthetics in Rural Wall Painting |
title_fullStr |
Rural Imagery and Environmental Aesthetics in Rural Wall Painting |
title_full_unstemmed |
Rural Imagery and Environmental Aesthetics in Rural Wall Painting |
title_sort |
rural imagery and environmental aesthetics in rural wall painting |
publishDate |
2018 |
url |
http://ndltd.ncl.edu.tw/handle/7m4rjw |
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