A Case Study of Eight Auspicious Symbols of Buddhism Applied to Beaded Jewelry Design
碩士 === 佛光大學 === 產品與媒體設計學系 === 106 === When browsing the Bodhisattva images in Buddhist sutras and books, I found that jeweled necklace had been a very important element for the accessories of Bodhisattva images composed of beads and inlays which has been known for its long history and splendid techn...
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ndltd-TW-106FGU000380032019-05-16T00:08:07Z http://ndltd.ncl.edu.tw/handle/35zw79 A Case Study of Eight Auspicious Symbols of Buddhism Applied to Beaded Jewelry Design 宗教元素運用於串珠鑲飾設計之研究-以佛教八吉祥為例 CHEN,SIH-HAN 陳思涵 碩士 佛光大學 產品與媒體設計學系 106 When browsing the Bodhisattva images in Buddhist sutras and books, I found that jeweled necklace had been a very important element for the accessories of Bodhisattva images composed of beads and inlays which has been known for its long history and splendid techniques of expression. The image itself demonstrates various categories, different presentations, plentiful colors and varied morals to symbolize the essences of Buddhist art. This research analyzes the collections of Chinese totems and religious elements- Eight Auspicious Symbols by literature reviews. With the insights of interviewing the experts, the understanding of Eight Auspicious Symbols of Buddhism in modern society could be interpreted. Moreover, we can apply the design methods and concepts of beads and inlays to design a creative cultural product by transforming the traditional morals, shapes, colors and other design elements of Eight Auspicious Symbols of Buddhism. The design methods, processes and results of this article can be a reference to creating creative products based on religion. TSAI,WANG-CHIN 蔡旺晉 2018 學位論文 ; thesis 116 zh-TW |
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碩士 === 佛光大學 === 產品與媒體設計學系 === 106 === When browsing the Bodhisattva images in Buddhist sutras and books, I found that jeweled necklace had been a very important element for the accessories of Bodhisattva images composed of beads and inlays which has been known for its long history and splendid techniques of expression. The image itself demonstrates various categories, different presentations, plentiful colors and varied morals to symbolize the essences of Buddhist art.
This research analyzes the collections of Chinese totems and religious elements- Eight Auspicious Symbols by literature reviews. With the insights of interviewing the experts, the understanding of Eight Auspicious Symbols of Buddhism in modern society could be interpreted. Moreover, we can apply the design methods and concepts of beads and inlays to design a creative cultural product by transforming the traditional morals, shapes, colors and other design elements of Eight Auspicious Symbols of Buddhism. The design methods, processes and results of this article can be a reference to creating creative products based on religion.
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author2 |
TSAI,WANG-CHIN |
author_facet |
TSAI,WANG-CHIN CHEN,SIH-HAN 陳思涵 |
author |
CHEN,SIH-HAN 陳思涵 |
spellingShingle |
CHEN,SIH-HAN 陳思涵 A Case Study of Eight Auspicious Symbols of Buddhism Applied to Beaded Jewelry Design |
author_sort |
CHEN,SIH-HAN |
title |
A Case Study of Eight Auspicious Symbols of Buddhism Applied to Beaded Jewelry Design |
title_short |
A Case Study of Eight Auspicious Symbols of Buddhism Applied to Beaded Jewelry Design |
title_full |
A Case Study of Eight Auspicious Symbols of Buddhism Applied to Beaded Jewelry Design |
title_fullStr |
A Case Study of Eight Auspicious Symbols of Buddhism Applied to Beaded Jewelry Design |
title_full_unstemmed |
A Case Study of Eight Auspicious Symbols of Buddhism Applied to Beaded Jewelry Design |
title_sort |
case study of eight auspicious symbols of buddhism applied to beaded jewelry design |
publishDate |
2018 |
url |
http://ndltd.ncl.edu.tw/handle/35zw79 |
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