Discourse on Construction of Cultural Context in Taiwanese Art Direction for Cinema from 1945 to 2017

博士 === 中原大學 === 設計學博士學位學程 === 106 === Taiwanese films have repeatedly gained recognition in the international film festival arena, symbolizing that Taiwanese films have established a film art modeling with Taiwanese aesthetic characteristics. However, the achievements of some films do not represent...

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Bibliographic Details
Main Authors: CHEN, KUO-CHIEH, 陳國傑
Other Authors: CHING LING HUANG
Format: Others
Language:zh-TW
Published: 2018
Online Access:http://ndltd.ncl.edu.tw/handle/x53azb
Description
Summary:博士 === 中原大學 === 設計學博士學位學程 === 106 === Taiwanese films have repeatedly gained recognition in the international film festival arena, symbolizing that Taiwanese films have established a film art modeling with Taiwanese aesthetic characteristics. However, the achievements of some films do not represent those theoretical achievements of art direction for cinema profession. Research on the results of Taiwanese art direction for cinema and their creators has long been neglected. This is not consistent with the growth of Taiwanese films, and affects and constraints the overall development of Taiwanese films. In fact, the history of Taiwanese art direction for cinema gradually underwent development from the traditional Taiwanese opera scenes into today’s main film creation sectors with a complete division of labor, which is an independent and integrated professional film technology. Under the concerted efforts of film creators and film artists, the art modeling with Taiwan’s principal aesthetic characteristics have taken shape. This has resulted in a rich style in terms of the timeline of the research scope of “Discourse on Construction of Cultural Context in Taiwanese Art Direction for Cinema from 1945 to 2017”. In addition, “art direction for cinema” has a unique visual authenticity not subject to alteration as it was passed down over time. With “cultural context” relative to Taiwanese “art direction for cinema” development as each other’s text reference, the hidden parts of Taiwan’s historical development can be truly interwoven. Meanwhile, the creation rules of Taiwanese art direction for cinema and the creative achievements of workers sort out the development trajectory of Taiwanese art direction for cinema and the interrelationship with the cultural context at the same time, in the hope of providing positive guidance and reference for Taiwanese art direction for cinema implementation in the future, exploring the historical materials of Taiwanese art direction for cinema, and remembering the experience and lessons of several generations of art direction for cinema workers.