| Summary: | 碩士 === 國立臺南藝術大學 === 動畫藝術與影像美學研究所 === 105 === Since AVATAR got huge success in 2009, the stereoscopic movie industry started to be progressed in the world. Nowadays, the American movie industry can produce total 60 works in one year average, also they already turned the study point from technic knowledge to stereoscopic film language and art style. In addition to Hollywood, there are more than 50 movies made in China and Hong Kong during these 7 years. Nevertheless, in Taiwan we only have two stereoscopic drama movies named Black & White:The Dawn of Justice and The Arti: the Adventure Begins, and few of documentaries of concert or landscape. There are three reason people usually worried about stereoscopic movie making in Taiwan. 1. people are always afraid of the huge budget and equipments requirement. 2. most of people doubt stereoscopic effect can not replace storytelling as a key of movie making. 3. people thought it seems that the stereoscopic technology hasn’t have any real progressing for more than 100 years.
To result those doubts, I started three different way to finish this research. First of all, I sorted out the Hollywood and Chinese pattern to generalize the success way of movie making industry. It proves that budget and equipments are not the key of stereoscopic movie making, we can both save money and make good works if establish right concept and method. Secondly, I give my suggestion to those film creates and researchers by analyzing the stereoscopic movie cases which can represent art and success in America, China, and Hong Kong. I hope people can realize that the core of stereoscopic movie art is not story but the right method of storytelling by using its future, just like other art creation. Finally, I put my forward opinion for stereoscopic movie equipments and technic history. In 20 century, people saw the stereoscopic movie as a tool can gather more audience and earn money so most of they are concentrated on projectors or viewing systems progressing. And even there are few directors tried to create a real stereoscopic movie sometime, it was difficult to fulfill their idea by photographic film. Nowadays, because of digital technic supporting, movie makers can really control the depth of virtual stereoscopic space, make audience enjoy the movie more comfortable. Therefore, they start to pay more attention on study of stereoscopic movie language, way of storytelling, and aesthetics.
According to the aforementioned, I think since we see stereoscopic movie as a special kind of movie media, it also depends on technology, industry, and aesthetics of storytelling. As a director, researcher critic and movie maker, we can not really make or study stereoscopic movie only if we have right attitude, knowledge, and skill of stereoscopic movie making. I wish we will have more good stereoscopic movies in Taiwan, and I know we can.
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