An Interpretative Study of the First Movement of Bassoon Concerto in B-flat Major, RV. 504 by Antonio Vivaldi

• Main Authors: Liang, Shih Mi, 梁詩覓
• Other Authors: Shieh, Fei Wen
• Format: Others
• Language: zh-TW
• Published: 2016
• Online Access: http://ndltd.ncl.edu.tw/handle/w2yca7

碩士 === 國立臺南藝術大學 === 音樂學系碩士班 === 105 === The interpretative study of this thesis is based on the first movement of Bassoon Concerto in B- flat Major, RV. 504 by Antonio Vivaldi. It categorized into four chapters. The first chapter is an introduction which to explain the motivation, purpose, scope and method of this study. The second chapter introduces the growth and musical career of Vivaldi; further investigating the categories and characteristics of concerti, and explaining the structure of Solo concerto. The third chapter discusses Tutti and Solo parts in Ritornello form. There are four main themes throughout the first movement. Tutti part largely based on the four themes. Solo part developed the main themes or combined into new ones. Same material presents different atmosphere in different key and combinations. The fourth chapter is the conclusion in which providing an overview of this writing.