A symbol of dandelion Hsing-Yi Huang Greating Concepts and Style of Asian Gouache
碩士 === 東海大學 === 美術學系 === 105 === " A symbol of dandelion " is the creation regarding my favorite plants, dandelion. The thesis records my emotional projection of mental development experience on real life as study material, and triggers the spiritual consciousness of me. The trip of dand...
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ndltd-TW-105THU002330182019-05-15T23:24:31Z http://ndltd.ncl.edu.tw/handle/9du4ss A symbol of dandelion Hsing-Yi Huang Greating Concepts and Style of Asian Gouache 蒲公英的象徵 黃馨誼創作理念與風格 HUANG HSING-YI 黃馨誼 碩士 東海大學 美術學系 105 " A symbol of dandelion " is the creation regarding my favorite plants, dandelion. The thesis records my emotional projection of mental development experience on real life as study material, and triggers the spiritual consciousness of me. The trip of dandelion resembles the life of human for full of diversity, after the painful parting stage, commence on another beautiful life. I use Asian Gouache as mediums for the extended interpretation on "inner spirit" of the creation, to study the hidden spirit of creation on the author's actual life afterwards, and to further add mental projection on the flying dandelion seeds. To recall the study in the graduate school for the basis of aesthetics, except for studying on Asian Gouache, I have to select classes of many Eastern and Western art history, with these art history classes, great impact has been made on the thought of the creation of this thesis. In Chapter 2, I study the differences between the art works of Eastern and Western aesthetics. The so called impacts is on the presentation of materials and painting style, so as to clarify the position of personal creation. This thesis use the following as the resources of the creation: the variety kinds of clues of life, the description of the passing time, how to deliver image by different channels of sense of sight. And how to combine the personal sorrow and symbol with the creation, and to prolong the primitive phase of creation. In Chapter 3, “Dandelion” represents extension and transformation. By using the painting techniques of horizon-vision viewpoint to describe art work, and in form of arrangement of display and basis of constitution. In the meantime, in Chapter 4, I analyze the meaning of myself and the environment of the creation. At last, I use my pattern of my art works as an epilogue and future expectation of my ego. 詹前裕 2017 學位論文 ; thesis 61 zh-TW |
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碩士 === 東海大學 === 美術學系 === 105 === " A symbol of dandelion " is the creation regarding my favorite plants, dandelion. The thesis records my emotional projection of mental development experience on real life as study material, and triggers the spiritual consciousness of me. The trip of dandelion resembles the life of human for full of diversity, after the painful parting stage, commence on another beautiful life. I use Asian Gouache as mediums for the extended interpretation on "inner spirit" of the creation, to study the hidden spirit of creation on the author's actual life afterwards, and to further add mental projection on the flying dandelion seeds.
To recall the study in the graduate school for the basis of aesthetics, except for studying on Asian Gouache, I have to select classes of many Eastern and Western art history, with these art history classes, great impact has been made on the thought of the creation of this thesis. In Chapter 2, I study the differences between the art works of Eastern and Western aesthetics. The so called impacts is on the presentation of materials and painting style, so as to clarify the position of personal creation.
This thesis use the following as the resources of the creation: the variety kinds of clues of life, the description of the passing time, how to deliver image by different channels of sense of sight. And how to combine the personal sorrow and symbol with the creation, and to prolong the primitive phase of creation.
In Chapter 3, “Dandelion” represents extension and transformation. By using the painting techniques of horizon-vision viewpoint to describe art work, and in form of arrangement of display and basis of constitution. In the meantime, in Chapter 4, I analyze the meaning of myself and the environment of the creation. At last, I use my pattern of my art works as an epilogue and future expectation of my ego.
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author2 |
詹前裕 |
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詹前裕 HUANG HSING-YI 黃馨誼 |
author |
HUANG HSING-YI 黃馨誼 |
spellingShingle |
HUANG HSING-YI 黃馨誼 A symbol of dandelion Hsing-Yi Huang Greating Concepts and Style of Asian Gouache |
author_sort |
HUANG HSING-YI |
title |
A symbol of dandelion Hsing-Yi Huang Greating Concepts and Style of Asian Gouache |
title_short |
A symbol of dandelion Hsing-Yi Huang Greating Concepts and Style of Asian Gouache |
title_full |
A symbol of dandelion Hsing-Yi Huang Greating Concepts and Style of Asian Gouache |
title_fullStr |
A symbol of dandelion Hsing-Yi Huang Greating Concepts and Style of Asian Gouache |
title_full_unstemmed |
A symbol of dandelion Hsing-Yi Huang Greating Concepts and Style of Asian Gouache |
title_sort |
symbol of dandelion hsing-yi huang greating concepts and style of asian gouache |
publishDate |
2017 |
url |
http://ndltd.ncl.edu.tw/handle/9du4ss |
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