Appear after the lost
碩士 === 實踐大學 === 建築設計學系碩士班 === 105 === Appear after the lost After fade away, always you will nd ever existed. Memory accumulation fragment from a different time, once the process become elements of spatial memo- ry, through the space present in human memory and imagination projection, the projectio...
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Online Access: | http://ndltd.ncl.edu.tw/handle/72560690548635373673 |
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ndltd-TW-105SCC008650082017-10-08T04:31:24Z http://ndltd.ncl.edu.tw/handle/72560690548635373673 Appear after the lost 有人不可 JEN,HSIN-YING 任芯瑩 碩士 實踐大學 建築設計學系碩士班 105 Appear after the lost After fade away, always you will nd ever existed. Memory accumulation fragment from a different time, once the process become elements of spatial memo- ry, through the space present in human memory and imagination projection, the projection process by ex- perience, perception redrawn build a body, trying to create a deep memory reproduction. Image constitute the entire people for the organization as well as to determine whether the memory of things leave traces, but the memory is present in an individual, only to objects, to building, to leave a mark on the land itself, and thus produce contrast between the loss of time and things , allows people to be able to constitute a common memory. From native families are assigned with spatial percep- tion and memory to the scene to wake up after And prototypes through space to explore the most di- rect attempt to create a human and long strong sen- sitivity to “native space.” Furthermore, the sea is re- called by the body to re-pursue their own experience, trying to understand the position of the self. Finally, choose again facing the sea homeland, through hand- made and old material to create a sense of time and memory space can be attached to the event. HSIAO, YU-CHIH 蕭有志 2017 學位論文 ; thesis 135 zh-TW |
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碩士 === 實踐大學 === 建築設計學系碩士班 === 105 === Appear after the lost
After fade away, always you will nd ever existed.
Memory accumulation fragment from a different time, once the process become elements of spatial memo- ry, through the space present in human memory and imagination projection, the projection process by ex- perience, perception redrawn build a body, trying to create a deep memory reproduction.
Image constitute the entire people for the organization as well as to determine whether the memory of things leave traces, but the memory is present in an individual, only to objects, to building, to leave a mark on the land itself, and thus produce contrast between the loss of time and things , allows people to be able to constitute a common memory.
From native families are assigned with spatial percep- tion and memory to the scene to wake up after
And prototypes through space to explore the most di- rect attempt to create a human and long strong sen- sitivity to “native space.” Furthermore, the sea is re- called by the body to re-pursue their own experience, trying to understand the position of the self. Finally, choose again facing the sea homeland, through hand- made and old material to create a sense of time and memory space can be attached to the event.
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author2 |
HSIAO, YU-CHIH |
author_facet |
HSIAO, YU-CHIH JEN,HSIN-YING 任芯瑩 |
author |
JEN,HSIN-YING 任芯瑩 |
spellingShingle |
JEN,HSIN-YING 任芯瑩 Appear after the lost |
author_sort |
JEN,HSIN-YING |
title |
Appear after the lost |
title_short |
Appear after the lost |
title_full |
Appear after the lost |
title_fullStr |
Appear after the lost |
title_full_unstemmed |
Appear after the lost |
title_sort |
appear after the lost |
publishDate |
2017 |
url |
http://ndltd.ncl.edu.tw/handle/72560690548635373673 |
work_keys_str_mv |
AT jenhsinying appearafterthelost AT rènxīnyíng appearafterthelost AT jenhsinying yǒurénbùkě AT rènxīnyíng yǒurénbùkě |
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1718552517756846080 |