One Aspect on the Situation- Ke, Jung-Chung Calligraphy Creation Research

碩士 === 國立臺灣藝術大學 === 書畫藝術學系 === 105 === "One aspect on the situation" as its theme, mostly starting with the painting, "One" means that Beginning, not literally a horizontal or a vertical. And aspect ratio are not only direct and cross, including front, back, left, right, top, a...

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Main Authors: KE,JUNG-CHUNG, 柯榮忠
Other Authors: TSAI,CHIEH-TENG
Format: Others
Language:zh-TW
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/hkc5g4
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spelling ndltd-TW-105NTUA08150082019-05-15T23:17:37Z http://ndltd.ncl.edu.tw/handle/hkc5g4 One Aspect on the Situation- Ke, Jung-Chung Calligraphy Creation Research 一筆縱橫論形勢-柯榮忠書法創作研究 KE,JUNG-CHUNG 柯榮忠 碩士 國立臺灣藝術大學 書畫藝術學系 105 "One aspect on the situation" as its theme, mostly starting with the painting, "One" means that Beginning, not literally a horizontal or a vertical. And aspect ratio are not only direct and cross, including front, back, left, right, top, and bottom, but also includes all, means a conception of the universe, is about the concept of time and space. Hence "one aspect" means written by began, driven by the intensity and speed of the aspect ratio of the Quartet. A simple aspect on the situation said was penned under the vertical and horizontal, with basic pen, structure and composition analysis and study on calligraphy and correspondence with changes in the situation. And one more time, space, dynamic and static situations change, is a relationship with the creation of the corresponding. As far as my thinking, is basically from the gestures, body posture, rhythm, and application materials for the operation of calligraphy Composition correspond to the layout, try to layout on the art form as contents of calligraphy creation and discussion on the art of pattern and rhythm changes . And trying to work with pen, structure, on the art of pattern and rhythm changes, the "shape" and "momentum" effect, in an attempt to understand the beauty of calligraphy attitude, can have a variety of hows. In the creation of works, they are divided into five series to discuss, first series for the potential series of gestures, second for writing rhythm series, third for echo contrast series, the fourth series for the written series, vseries for written material. Attempt to have more face to show in the creation of these works, hoping that the wider direction of thinking and creation of may. TSAI,CHIEH-TENG 蔡介騰 2017 學位論文 ; thesis 175 zh-TW
collection NDLTD
language zh-TW
format Others
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description 碩士 === 國立臺灣藝術大學 === 書畫藝術學系 === 105 === "One aspect on the situation" as its theme, mostly starting with the painting, "One" means that Beginning, not literally a horizontal or a vertical. And aspect ratio are not only direct and cross, including front, back, left, right, top, and bottom, but also includes all, means a conception of the universe, is about the concept of time and space. Hence "one aspect" means written by began, driven by the intensity and speed of the aspect ratio of the Quartet. A simple aspect on the situation said was penned under the vertical and horizontal, with basic pen, structure and composition analysis and study on calligraphy and correspondence with changes in the situation. And one more time, space, dynamic and static situations change, is a relationship with the creation of the corresponding. As far as my thinking, is basically from the gestures, body posture, rhythm, and application materials for the operation of calligraphy Composition correspond to the layout, try to layout on the art form as contents of calligraphy creation and discussion on the art of pattern and rhythm changes . And trying to work with pen, structure, on the art of pattern and rhythm changes, the "shape" and "momentum" effect, in an attempt to understand the beauty of calligraphy attitude, can have a variety of hows. In the creation of works, they are divided into five series to discuss, first series for the potential series of gestures, second for writing rhythm series, third for echo contrast series, the fourth series for the written series, vseries for written material. Attempt to have more face to show in the creation of these works, hoping that the wider direction of thinking and creation of may.
author2 TSAI,CHIEH-TENG
author_facet TSAI,CHIEH-TENG
KE,JUNG-CHUNG
柯榮忠
author KE,JUNG-CHUNG
柯榮忠
spellingShingle KE,JUNG-CHUNG
柯榮忠
One Aspect on the Situation- Ke, Jung-Chung Calligraphy Creation Research
author_sort KE,JUNG-CHUNG
title One Aspect on the Situation- Ke, Jung-Chung Calligraphy Creation Research
title_short One Aspect on the Situation- Ke, Jung-Chung Calligraphy Creation Research
title_full One Aspect on the Situation- Ke, Jung-Chung Calligraphy Creation Research
title_fullStr One Aspect on the Situation- Ke, Jung-Chung Calligraphy Creation Research
title_full_unstemmed One Aspect on the Situation- Ke, Jung-Chung Calligraphy Creation Research
title_sort one aspect on the situation- ke, jung-chung calligraphy creation research
publishDate 2017
url http://ndltd.ncl.edu.tw/handle/hkc5g4
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