Self-analysis, Trapped Soul
碩士 === 國立臺灣藝術大學 === 美術學系版畫藝術碩士班 === 105 === The foundation of the literary writing and the creative works about <Self-analysis-The Trapped Soul>is determined to face myself and to express my feelings loyally. Once I don't need to hide from my parents and accept who I really am, it does...
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ndltd-TW-105NTUA08140072019-05-15T23:10:10Z http://ndltd.ncl.edu.tw/handle/zs3248 Self-analysis, Trapped Soul 自我剖析--被禁錮的靈魂 CHAO, MAI-NI 趙曼妮 碩士 國立臺灣藝術大學 美術學系版畫藝術碩士班 105 The foundation of the literary writing and the creative works about <Self-analysis-The Trapped Soul>is determined to face myself and to express my feelings loyally. Once I don't need to hide from my parents and accept who I really am, it does not only help to know myself more and better, but also give me strength to create more works. Sometimes I feel pessimistic, then I try to record different. Period of me by writing autobiography. Moreover, I regard woodcut and the portrait plan of <One For A While> as kind of practice between people. Beside, woodcut and painting look alike in many ways. Therefore, I combine these two materials to finish my works. In the form of rubbing, it does not only retain the enjoyment of using knives instead of paintbrushes, but also leave more freedom of painting. Furthermore, as you can see in my works, there are full of the female bodies without faces. In my opinion, keep facial expression away from the face can make people only pay attention to the purity of female body, and release affection and desire to it. Keywords: self-exploration, female body, rubbing MEI, DING-YEN 梅丁衍 2017 學位論文 ; thesis 40 zh-TW |
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碩士 === 國立臺灣藝術大學 === 美術學系版畫藝術碩士班 === 105 ===
The foundation of the literary writing and the creative works about <Self-analysis-The Trapped Soul>is determined to face myself and to express my feelings loyally. Once I don't need to hide from my parents and accept who I really am, it does not only help to know myself more and better, but also give me strength to create more works. Sometimes I feel pessimistic, then I try to record different. Period of me by writing autobiography. Moreover, I regard woodcut and the portrait plan of <One For A While> as kind of practice between people. Beside, woodcut and painting look alike in many ways. Therefore, I combine these two materials to finish my works. In the form of rubbing, it does not only retain the enjoyment of using knives instead of paintbrushes, but also leave more freedom of painting. Furthermore, as you can see in my works, there are full of the female bodies without faces. In my opinion, keep facial expression away from the face can make people only pay attention to the purity of female body, and release affection and desire to it.
Keywords: self-exploration, female body, rubbing
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author2 |
MEI, DING-YEN |
author_facet |
MEI, DING-YEN CHAO, MAI-NI 趙曼妮 |
author |
CHAO, MAI-NI 趙曼妮 |
spellingShingle |
CHAO, MAI-NI 趙曼妮 Self-analysis, Trapped Soul |
author_sort |
CHAO, MAI-NI |
title |
Self-analysis, Trapped Soul |
title_short |
Self-analysis, Trapped Soul |
title_full |
Self-analysis, Trapped Soul |
title_fullStr |
Self-analysis, Trapped Soul |
title_full_unstemmed |
Self-analysis, Trapped Soul |
title_sort |
self-analysis, trapped soul |
publishDate |
2017 |
url |
http://ndltd.ncl.edu.tw/handle/zs3248 |
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AT chaomaini selfanalysistrappedsoul AT zhàomànnī selfanalysistrappedsoul AT chaomaini zìwǒpōuxībèijìngùdelínghún AT zhàomànnī zìwǒpōuxībèijìngùdelínghún |
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1719142879717228544 |