Self-analysis, Trapped Soul

碩士 === 國立臺灣藝術大學 === 美術學系版畫藝術碩士班 === 105 === The foundation of the literary writing and the creative works about <Self-analysis-The Trapped Soul>is determined to face myself and to express my feelings loyally. Once I don't need to hide from my parents and accept who I really am, it does...

Full description

Bibliographic Details
Main Authors: CHAO, MAI-NI, 趙曼妮
Other Authors: MEI, DING-YEN
Format: Others
Language:zh-TW
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/zs3248
id ndltd-TW-105NTUA0814007
record_format oai_dc
spelling ndltd-TW-105NTUA08140072019-05-15T23:10:10Z http://ndltd.ncl.edu.tw/handle/zs3248 Self-analysis, Trapped Soul 自我剖析--被禁錮的靈魂 CHAO, MAI-NI 趙曼妮 碩士 國立臺灣藝術大學 美術學系版畫藝術碩士班 105 The foundation of the literary writing and the creative works about <Self-analysis-The Trapped Soul>is determined to face myself and to express my feelings loyally. Once I don't need to hide from my parents and accept who I really am, it does not only help to know myself more and better, but also give me strength to create more works. Sometimes I feel pessimistic, then I try to record different. Period of me by writing autobiography. Moreover, I regard woodcut and the portrait plan of <One For A While> as kind of practice between people. Beside, woodcut and painting look alike in many ways. Therefore, I combine these two materials to finish my works. In the form of rubbing, it does not only retain the enjoyment of using knives instead of paintbrushes, but also leave more freedom of painting. Furthermore, as you can see in my works, there are full of the female bodies without faces. In my opinion, keep facial expression away from the face can make people only pay attention to the purity of female body, and release affection and desire to it. Keywords: self-exploration, female body, rubbing MEI, DING-YEN 梅丁衍 2017 學位論文 ; thesis 40 zh-TW
collection NDLTD
language zh-TW
format Others
sources NDLTD
description 碩士 === 國立臺灣藝術大學 === 美術學系版畫藝術碩士班 === 105 === The foundation of the literary writing and the creative works about <Self-analysis-The Trapped Soul>is determined to face myself and to express my feelings loyally. Once I don't need to hide from my parents and accept who I really am, it does not only help to know myself more and better, but also give me strength to create more works. Sometimes I feel pessimistic, then I try to record different. Period of me by writing autobiography. Moreover, I regard woodcut and the portrait plan of <One For A While> as kind of practice between people. Beside, woodcut and painting look alike in many ways. Therefore, I combine these two materials to finish my works. In the form of rubbing, it does not only retain the enjoyment of using knives instead of paintbrushes, but also leave more freedom of painting. Furthermore, as you can see in my works, there are full of the female bodies without faces. In my opinion, keep facial expression away from the face can make people only pay attention to the purity of female body, and release affection and desire to it. Keywords: self-exploration, female body, rubbing
author2 MEI, DING-YEN
author_facet MEI, DING-YEN
CHAO, MAI-NI
趙曼妮
author CHAO, MAI-NI
趙曼妮
spellingShingle CHAO, MAI-NI
趙曼妮
Self-analysis, Trapped Soul
author_sort CHAO, MAI-NI
title Self-analysis, Trapped Soul
title_short Self-analysis, Trapped Soul
title_full Self-analysis, Trapped Soul
title_fullStr Self-analysis, Trapped Soul
title_full_unstemmed Self-analysis, Trapped Soul
title_sort self-analysis, trapped soul
publishDate 2017
url http://ndltd.ncl.edu.tw/handle/zs3248
work_keys_str_mv AT chaomaini selfanalysistrappedsoul
AT zhàomànnī selfanalysistrappedsoul
AT chaomaini zìwǒpōuxībèijìngùdelínghún
AT zhàomànnī zìwǒpōuxībèijìngùdelínghún
_version_ 1719142879717228544